An original and absorbing cross disciplinary look at the many-layered connections between architecture and engineering in the 19th century, this book will captivate anyone interested in how the style of the modern city evolved when iron became the primary building material used. Extensively illustrated with photos and schematics, this book takes the reader into the massive social transformation and increased industrialization of Europe through the 1800s, showing how the new, formable building materials re-defined architecture. Fundamental technology euphoria in the widespread belief in progress, as well as the development and application of new materials, opened up a great number of forms which often recalled classicism or the Romanesque. An amazing journey into the mindset of the late Industrial Revolution.
The 19th century is generally considered the time frame in which the disciplines of architecture and engineering irrevocably parted ways. Although the development of civil engineering as an independent discipline had already begun before the industrial revolution, it proceeded rapidly during the period of industrialization in conjunction with several other influences. Among those were processes of social transformation in Europe, the development of specialized fields of activity in all professions as a function of changed conditions of production, fundamental technology euphoria in the widespread belief in progress, as well as the development and application of new materials. Especially the building material iron and the associated new types of constructions and typologies can be characterized as typical for that phase of industrialization. A period of experimentation and discovery occurred in the quest for appropriate methods and forms of construction - built objects continuously confronted physical and cultural boundaries. At a time when the engineers increasingly oriented to the physical sciences, the new homogeneous, formable building material symbolically represented the promise of new, groundbreaking theories and precise computing methods in the comprehensive monitoring and new definition of the bearing structure. The architectural potential represented by a freely formable iron mass opened up a great number of forms which often oriented to classicism or the Romanesque. Within architecture during the second half of the 19th century the stubborn striving towards old styles in the context of the use of the new material from a straightforward, engineering standpoint lead to an often deplored architectural crisis.
Mario Rinke, born in 1979, engineering study at the Bauhaus-Universitat in Weimar. In 2007 he worked in the London engineering office of Ramboll Whitbybird, before moving to the ETH in 2008 to the chair of structural design. Joseph Schwartz, born in 1957, received his master's degree in 1981 and his doctorate in 1989 in the Department for Civil engineering at the ETH in Zurich. Prof. Schwartz runs his own engineering office with headquarters in Zug and works closely with several leading Swiss architects. He is a member of the board of the professional group for bridge building and structural engineering and president of the Masonry Commission SIA 266.
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我一直很关注那些被主流历史叙事遗漏的声音,而这本书恰恰满足了这种渴求。它没有聚焦于帝王将相或宏大的战役,而是将聚光灯打在了那些默默无闻的工匠、矿工和贸易商的身上。通过追踪一小批关键材料的流向,作者重建了一个跨越数个文化圈的生态系统,展现了人类在面对自然限制时所展现出的惊人创造力与韧性。书中关于“非标准工具的标准化过程”的探讨非常有趣,它揭示了技术从个体经验总结到集体实践规范的漫长而曲折的路径。我特别喜欢作者在描述某地的一次早期提炼尝试失败后,那种近乎绝望但又充满希望的集体反思,那种情感张力是通过精妙的细节堆砌出来的,而不是靠夸张的辞藻堆砌。总而言之,这是一部将微观视角发挥到极致,最终折射出宏大历史图景的力作。
评分说实话,这本书的叙事节奏掌控得有点“任性”,但正是这种不按常理出牌的方式,让它区别于市面上其他同类著作。有时候,作者会用大段大段的哲学思辨来阐述一个简单的物理现象,让人不禁要问:“这和我们讨论的早期工具到底有什么关系?”但如果你耐心等待,你会发现,那些看似偏离主线的思考,最终都会汇集成一个更广阔的图景——它探讨的不是技术本身,而是技术如何重塑了人类的思维结构和时间观念。书中对“等待”这个概念的分析尤其发人深省:在需要数月才能将原材料运送到加工地,再经过漫长冷却才能使用的时代,人们对“未来”的规划是何等的不同。它迫使我跳出我们这个即时满足的现代思维框架,去理解那种建立在长期积累和耐心之上的文明构建方式。这是一本需要慢慢品味的,带有浓厚思辨色彩的史学著作。
评分这本书的文笔是极其富有画面感的,简直就像在看一部高质量的纪录片,只是媒介是文字。我能清晰地“闻到”那些早期作坊里弥漫的烟尘和金属气味,能“看到”工匠手上因常年劳作而留下的厚茧和伤痕。作者在描述材料特性时,用词极其精准,仿佛他本人就是那个时代的材料专家。例如,对于不同矿石在初次冶炼时表现出的“脾气”的描绘,生动得如同在描述一群有生命的个体。这本书最成功的一点在于,它成功地将原本冰冷的技术和统计数据,注入了鲜活的人性温度。它不是在堆砌冷硬的年代数据,而是在讲述一代代人如何与他们赖以生存的物质世界进行一场无声的对话、一场永不休止的较量。读完后,我再看那些现代的金属制品,都会多一份敬畏,因为我看到了它们背后那漫长而艰辛的起源故事。
评分这部作品着实让人眼前一亮,它深入探讨了人类文明演进中那些看似微不足道的转折点,并以一种近乎诗意的笔触描绘了早期技术革新对社会结构产生的深远影响。作者显然在历史细节的考据上下了极大的功夫,无论是对古代冶金术的描述,还是对早期聚落间贸易模式的分析,都显得既扎实又富有洞察力。我尤其欣赏叙事中那种微妙的平衡感——它既没有陷入枯燥的学术论文的泥淖,也没有为了追求戏剧效果而牺牲历史的准确性。读起来,你会感觉自己仿佛回到了那个蛮荒却又充满生机的时代,亲眼目睹了火与石的碰撞如何孕育出新的秩序。特别是关于社会阶层如何随着材料获取难度的提升而固化的那几章,分析得入木三分,让我对“进步”这个概念有了更深层次的反思。作者并没有简单地赞颂技术进步,而是冷静地揭示了每一次飞跃背后所隐藏的权力转移和生存代价,这种批判性的视角,让整本书的厚度大大增加。
评分坦率地说,这本书的阅读体验是充满挑战,但也极富回报的。它并非那种能让你在沙发上轻松翻阅的消遣读物,它要求读者全神贯注,去梳理那些错综复杂的社会网络和技术链条。开篇的几页,信息密度大得惊人,各种新旧概念的交织,确实需要读者多次回溯才能理清头绪。然而,一旦你跨越了最初的知识壁垒,作品的内在逻辑便会像精密的钟表一样清晰地展现出来。我对作者构建的“知识传播模型”印象深刻,它巧妙地将地理、资源禀赋与文化适应性结合起来,解释了为什么某些创新会迅速扩散,而另一些则会因地而亡。书中关于早期手工业者群体内部的“知识保护机制”的论述尤其精彩,那种近乎宗教仪式的学徒制度,体现了在信息稀缺时代,知识本身就是最坚固的壁垒。这本书成功地将人类学、经济史和材料科学融合在一起,创造了一种独特的叙事体验,但同时也意味着它更适合有一定相关背景的读者。
评分讲 AEG 的再看一下
评分讲 AEG 的再看一下
评分讲 AEG 的再看一下
评分讲 AEG 的再看一下
评分讲 AEG 的再看一下
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