Wonder, Image, and Cosmos in Medieval Islam 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Persis Berlekamp 作者

Yale University Press

译者

2011-5-17 出版日期

224 页数

USD 80.00 价格

Hardcover

丛书系列

9780300170603 图书编码

Wonder, Image, and Cosmos in Medieval Islam 在线电子书图书标签: 艺术史伊斯兰 wonders-of-creation islam

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发表于2024-07-01

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Wonder, Image, and Cosmos in Medieval Islam 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Wonder, Image, and Cosmos in Medieval Islam 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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عجب 多珍贵的字眼。a digitalized manuscript owned by Qazwini himself <http://daten.digitale-sammlungen.de/~db/0004/bsb00045957/images/>

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ابو یحیی زکریاء بن محمد القزوینی

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عجب 多珍贵的字眼。a digitalized manuscript owned by Qazwini himself <http://daten.digitale-sammlungen.de/~db/0004/bsb00045957/images/>

评分☆☆☆☆☆

ابو یحیی زکریاء بن محمد القزوینی

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ابو یحیی زکریاء بن محمد القزوینی

Wonder, Image, and Cosmos in Medieval Islam 在线电子书著者简介

Wonder, Image, and Cosmos in Medieval Islam 在线电子书图书目录

Wonder, Image, and Cosmos in Medieval Islam 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Wonder, Image, and Cosmos in Medieval Islam 在线电子书图书描述

This original book untangles fundamental confusions about historical relationships among Islam, representational images, and philosophy. Closely examining some of the most meaningful and best preserved premodern illustrated manuscripts of Islamic cosmographies, Persis Berlekamp refutes the assertion often made by other historians of medieval Islamic art that, while representational images did exist, they did not serve religious purposes. The author focuses on widely disseminated Islamic images of the wonders of creation, ranging from angels to human-snatching birds, and argues that these illustrated manuscripts aimed to induce wonder at God's creation, as was their stated purpose. She tracks the various ways that images advanced that purpose in the genre's formative milieu - the century and a half following the Mongol conquest of the Islamic East in 1258. Delving into social history and into philosophical ideas relevant to manuscript and image production, Berlekamp shows that philosophy occupied an established, if controversial, position within Islam. She thereby radically reframes representational images within the history of Islam.

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