The Naive and the Sentimental Novelist

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出版者:Vintage
作者:Orhan Pamuk
出品人:
页数:208
译者:
出版时间:2011-11-1
价格:USD 15.00
装帧:Paperback
isbn号码:9780307745248
丛书系列:
图书标签:
  • 文学理论
  • 文学批评
  • 随笔
  • 奥尔罕·帕慕克
  • Literature
  • English
  • 英语
  • 英文原著
  • 小说
  • 文学
  • 情感
  • 浪漫
  • 叙事
  • 人性
  • 虚构
  • 成长
  • 抒情
  • 怀旧
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具体描述

From the Nobel Prize-winning novelist, an inspired, thoughtful, and deeply personal book about reading and writing novels.

In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a comprehensive and provocative theory of the novel and the experience of reading. Drawing on Friedrich Schiller’s famous distinction between “naïve” writers—those who write spontaneously—and “sentimental” writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word. He takes us through his own literary journey and the beloved novels of his youth to describe the singular experience of reading. Unique, nuanced, and passionate, this book will be beloved by readers and writers alike.

作者简介

奥尔罕•帕慕克(Orhan Pamuk,1952- ),当代欧洲最杰出的小说家之一,享誉国际的土耳其文学巨擘。出生于伊斯坦布尔,曾在伊斯坦布尔科技大学主修建筑。2006年获得诺贝尔文学奖,作品总计已被译为50多种语言。

其他作品:

《我的名字叫红》《白色城堡》《伊斯坦布尔:一座城市的记忆》《雪》《黑书》《新人生》《寂静的房子》《杰夫代特先生》《纯真博物馆》《别样的色彩》

目录信息

读后感

评分

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没有卵用的前提:讨论的都是文学小说,类型小说只作为对比对象在中心一节中提到 1.读者如何理解小说/小说家如何写 天真的/感伤的之定义 镜之隐喻 2.小说的虚构性:真/假?在小说中存在真实吗? 3.小说人物随着故事发展成形/塑造小说人物的技巧:情节和时间 4.小说叙述类型:词...  

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帕大师最新作品,未来几年唯一的作品,我们必须期待良久才会有新作品问世了。那么只能接着此书来慰藉。大师,快点出新书吧! 这本书中收录了大师在大学里的演讲,很著名,非得集合成一个本子来发,书中不乏罗圈话,话中话,题中题,跟著名的药厂“盖中盖”一样,不知道会不会冒...

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本书封面的双头鸟图腾与书名“天真与感伤的小说家”之间有种象征关系:向前看的鸟头可以象征“天真的”小说家,向后看的鸟头则象征“感伤的”小说家。整只鸟则象征着奥尔罕•帕慕克理想中的小说家——天真又感伤的小说家;也可以象征理想中的读者——天真又感伤的读者。 “天...  

用户评价

评分

小说创作和阅读的经验之谈

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Again, don't judge a book prematurely. I complained about Pamuk's conventionality when I was on 2nd chpt, then in the 3rd he gives a refreshing critique of character. "Painting with words" -- useful and rather personal approach to writing. The concept "center" is underdeveloped, may easily be replaced by "theme" or "subject".

评分

Again, don't judge a book prematurely. I complained about Pamuk's conventionality when I was on 2nd chpt, then in the 3rd he gives a refreshing critique of character. "Painting with words" -- useful and rather personal approach to writing. The concept "center" is underdeveloped, may easily be replaced by "theme" or "subject".

评分

Again, don't judge a book prematurely. I complained about Pamuk's conventionality when I was on 2nd chpt, then in the 3rd he gives a refreshing critique of character. "Painting with words" -- useful and rather personal approach to writing. The concept "center" is underdeveloped, may easily be replaced by "theme" or "subject".

评分

love not what he talked about, but his attitude as first a reader, then a novelist to talk about novels from personal perspective and personal experience, and also very humble and self-reflective.

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