Rinko Kawauchi (born in Shiga, Japan, 1972) studied graphic design and photography at Seian Junior College of Art and Design. She won the 27th Ihei Kimura Photography Award, 2002; and the International Center of Photography Infinity Award in Art, 2009, and was shortlisted for the 2012 Deutsche Borse prize. Solo exhibitions include: Fondation Cartier, Paris; Photographers’ Gallery, London; Galleria Carla Sozzani, Milan; Hasselblad Center, Göteborg, Sweden; and Museum of Modern Art, São Paulo. Kawauchi lives in Tokyo.
A curator, writer, and former director of Photoworks, David Chandler (essay) is currently a professor of photography at the University of Plymouth and a visiting professor at the University of Brighton.
- See more at: http://aperture.org/shop/books/illuminance-rinko-kawauchi#sthash.fX6PpHC1.dpuf
In 2001, Rinko Kawauchi published three astonishing photobooks simultaneously—Utatane, Hanabi, and Hanako—establishing herself as one of the most innovative newcomers to contemporary photography. Other notable monographs include Aila (2004), The Eyes, the Ear (2005), and Semear (2007). Now, ten years after her precipitous entry onto the international stage, Aperture has published Illuminance, the first volume of Kawauchi’s work to be published outside of Japan.
Kawauchi’s work has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as its ability to incite wonder via careful attention to tiny gestures and the incidental details of her everyday environment. In Illuminance, Kawauchi continues her exploration of the extraordinary in the mundane, drawn to the fundamental cycles of life and the seemingly inadvertent, fractal-like organization of the natural world into formal patterns.
Gorgeously produced as a clothbound volume with Japanese binding, this impressive compilation of mostly previously unpublished images is proof of Kawauchi’s unparalleled, unique sensibility and her ongoing appeal to the lovers of photography.
- See more at: http://aperture.org/shop/books/illuminance-rinko-kawauchi#sthash.fX6PpHC1.dpuf
照片都很平淡,没有那种所谓的大片。 甚至有的底片都已经坏掉了。 也有很多并非精确曝光的片子。 每一张都有很浓厚的生活气息。 每一张看了都会觉得背后有个故事。 这是一本纯粹的记录,没有为了拍照而拍出来的照片。 记录的应该都是沿途的风景、生活的点滴、以及心有所感的那...
評分照片都很平淡,没有那种所谓的大片。 甚至有的底片都已经坏掉了。 也有很多并非精确曝光的片子。 每一张都有很浓厚的生活气息。 每一张看了都会觉得背后有个故事。 这是一本纯粹的记录,没有为了拍照而拍出来的照片。 记录的应该都是沿途的风景、生活的点滴、以及心有所感的那...
評分照片都很平淡,没有那种所谓的大片。 甚至有的底片都已经坏掉了。 也有很多并非精确曝光的片子。 每一张都有很浓厚的生活气息。 每一张看了都会觉得背后有个故事。 这是一本纯粹的记录,没有为了拍照而拍出来的照片。 记录的应该都是沿途的风景、生活的点滴、以及心有所感的那...
評分照片都很平淡,没有那种所谓的大片。 甚至有的底片都已经坏掉了。 也有很多并非精确曝光的片子。 每一张都有很浓厚的生活气息。 每一张看了都会觉得背后有个故事。 这是一本纯粹的记录,没有为了拍照而拍出来的照片。 记录的应该都是沿途的风景、生活的点滴、以及心有所感的那...
評分照片都很平淡,没有那种所谓的大片。 甚至有的底片都已经坏掉了。 也有很多并非精确曝光的片子。 每一张都有很浓厚的生活气息。 每一张看了都会觉得背后有个故事。 这是一本纯粹的记录,没有为了拍照而拍出来的照片。 记录的应该都是沿途的风景、生活的点滴、以及心有所感的那...
買瞭這個美國齣版的大開本 價格還可以誒
评分所謂有距離感的溫情即指生活的陽麵,無法不愛
评分細小的自發光體,在中世紀的人看來眼球也是這樣的
评分想象是怎麼在迴過頭從那麼多的底片裏找齣那麼多的巧遇,就很幸福。可太多也隻是畫麵上的巧遇而已
评分川內倫子的代錶作品
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