The Cat's Table

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邁剋爾•翁達傑Michael Ondaatje(1943— )

加拿大小說傢、詩人。生於斯裏蘭卡,十一歲隨母親來到英國,十九歲移居加拿大,現居多倫多。迄今為止,翁達傑共齣版瞭六部長篇小說、十餘部詩集及非虛構作品。其中,《英國病人》(1992)獲布剋奬,後被改編成同名電影,大獲成功;《菩薩凝視的島嶼》(2000)獲吉爾奬和美第奇奬;《遙望》(2007)獲加拿大總督文學奬。邁剋爾•翁達傑的文字富於想象,兼具視覺和聽覺效果,為詩歌和小說兩個領域都注入瞭新的生機。

出版者:
作者:[加拿大] 邁剋爾·翁達傑
出品人:
頁數:0
译者:
出版時間:2011-10
價格:$ 39.55
裝幀:
isbn號碼:9780307943712
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  • 英語 
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  • Michael_Ondaatje 
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In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator’s elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself “with a distant eye” for the first time, and to feel the first stirring of desire. Another Cat’s Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.

As the narrative moves between the decks and holds of the ship and the boy’s adult years, it tells a spellbinding story—by turns poignant and electrifying—about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

From the Hardcover edition.

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一个迷人的猜想,一段特别的海上旅程,童年时的禁忌与成年后的回忆。 上世纪五十年代初,一个十一岁的男孩从科伦坡乘上了开往英国的轮船。他被安排坐在了离船长及达官贵人们最远的“猫桌”上——跟一群“无足轻重”的成人和两个男孩坐在一起。轮船横渡印度洋,跨越苏伊士运河...  

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这是萨缪尔.贝克特的话,但是我搞不清是哪本书或者戏剧里面的了。 有没有知道的人可以科普下?还有这句话的原文有人知道吗? 意思我还在参透中,始终感到很一知半解。 至于猫桌这本书,那肯定是胜不过英国病人的。只有这封信我很喜欢,多 少透露出英国病人的神采。  

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这个故事就像是一只万花筒,Oronsay的旅程只是那个外面的壳,每一个猫桌上的客人都是三棱镜上的一个切面,带着他们的过往与将来,形成深邃而缤纷的流动画面。 叙述者在书中接近尾声的时候有一段话是这样说的: As members of an audience we should never feel ourselves wis...  

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