Rethinking Transnational Chinese Cinemas 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Jeremy E. Taylor 作者

Routledge

譯者

2011-5-19 出版日期

192 頁數

USD 165.00 價格

Hardcover

叢書系列

9780415493550 圖書編碼

Rethinking Transnational Chinese Cinemas 在線電子書圖書標籤: 中國電影電影研究電影史廈門美女電影民國史模特

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發表於2024-11-17

Rethinking Transnational Chinese Cinemas 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Rethinking Transnational Chinese Cinemas 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Rethinking Transnational Chinese Cinemas 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Rethinking Transnational Chinese Cinemas 在線電子書用戶評價

評分☆☆☆☆☆

廈語片

評分☆☆☆☆☆

從廈語片的研究挑戰電影研究和文化研究關於transnational的論述，實在是很好的角度；分散於大陸、港、颱與東南亞的資料，亦構成作者研究的挑戰。作者從産業曆史的角度勾勒廈語片的製作、錶演與放映，新舊廈語片的更替以及與更大範圍內冷戰政治文化的互動，揭示這一獨特片種在“跨國”麵貌下的較為封閉與狹隘的製作模式與價值觀，以及在港、颱、東南亞三地地緣政治、經濟與媒介文化變遷導緻的命運衰微。

評分☆☆☆☆☆

冷戰時期廈語片研究，非常精彩瞭

評分☆☆☆☆☆

冷戰時期廈語片研究，非常精彩瞭

評分☆☆☆☆☆

冷戰時期廈語片研究，非常精彩瞭

Rethinking Transnational Chinese Cinemas 在線電子書著者簡介

Rethinking Transnational Chinese Cinemas 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Rethinking Transnational Chinese Cinemas 在線電子書圖書描述

The Amoy-dialect film industry emerged in the 1950s, producing cheap, b-grade films in Hong Kong for direct export to the theatres of Manila Chinatown, southern Taiwan and Singapore. Films made in Amoy dialect - a dialect of Chinese - reflected a particular period in the history of the Chinese diaspora, and have been little studied due to their ambiguous place within the wider realm of Chinese and East Asian film history. This book represents the first full length, critical study of the origin, significant rise and rapid decline of the Amoy-dialect film industry. Rather than examining the industry for its own sake, however, this book focuses on its broader cultural, political and economic significance in the region. It questions many of the assumptions currently made about the 'recentness' of transnationalism in Chinese cultural production, particularly when addressing Chinese cinema in the Cold War years, as well as the prominence given to 'the nation' and 'transnationalism' in studies of Chinese cinemas and of the Chinese Diaspora. By examining a cinema that did not fit many of the scholarly models of 'transnationalism', that was not grounded in any particular national tradition of filmmaking and that was largely unconcerned with 'nation-building' in post-war Southeast Asia, this book challenges the ways in which the history of Chinese cinemas has been studied in the recent past.

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