Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program.
Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director's films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
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寫作加一星
评分真的超喜歡的 求求你收瞭我當博士吧
评分語言充滿詩意,對電影的形式分析也很用心。目前寫華語電影最喜歡的書之一。甩Sheldon lu十條大街
评分語言充滿詩意,對電影的形式分析也很用心。目前寫華語電影最喜歡的書之一。甩Sheldon lu十條大街
评分大綉花枕頭。煩死瞭,有時間修飾花裏鬍哨的語言掩飾車軲轆話,還不如老老實實動動腦子想argument做research
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