Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program.
Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director's films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
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语言充满诗意,对电影的形式分析也很用心。目前写华语电影最喜欢的书之一。甩Sheldon lu十条大街
评分语言充满诗意,对电影的形式分析也很用心。目前写华语电影最喜欢的书之一。甩Sheldon lu十条大街
评分语言充满诗意,对电影的形式分析也很用心。目前写华语电影最喜欢的书之一。甩Sheldon lu十条大街
评分语言充满诗意,对电影的形式分析也很用心。目前写华语电影最喜欢的书之一。甩Sheldon lu十条大街
评分语言充满诗意,对电影的形式分析也很用心。目前写华语电影最喜欢的书之一。甩Sheldon lu十条大街
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