Edgeworkbrings together seven of Wendy Brown's most provocative recent essays in political and cultural theory. They range from explorations of politics post-9/11 to critical reflections on the academic norms governing feminist studies and political theory.Edgeworkis also concerned with the intellectual and political value of critique itself. It renders contemporary the ancient jurisprudential meaning of critique as krisis, in which a tear in the fabric of justice becomes the occasion of a public sifting or thoughtfulness, the development of criteria for judgment, and the inauguration of political renewal or restoration. Each essay probes a contemporary problem--the charge of being unpatriotic for dissenting from U.S. foreign policy, the erosion of liberal democracy by neoliberal political rationality, feminism's loss of a revolutionary horizon--and seeks to grasp the intellectual impasse the problem signals as well as the political incitement it may harbor.
Wendy Brown
Heller Professor of Political Science
Groups: Political Theory & Philosophy
Professor Brown's fields of interest include the history of political theory, nineteenth and twentieth century Continental theory, critical theory, and cultural theory (including feminist theory, critical race theory, and postcolonial theory). She is best known for intertwining the insights of Marx, Nietzsche, Weber, Freud, Frankfurt School theorists, Foucault, and contemporary Continental philosophers to critically interrogate formations of power, political identity, citizenship, and political subjectivity in contemporary liberal democracies. Brown's current work focuses on the relationship of political sovereignty to global capital and other transnational forces, including those associated with religion, law, culture and moral discourse.
Professor Brown received her Ph.D in Political Philosophy from Princeton University in 1983. Prior to coming to Berkeley in 1999, she taught at the University of California, Santa Cruz and at Williams College. Brown's books include Manhood and Politics: A Feminist Reading in Political Theory (Rowman and Littlefield, 1988), States of Injury: Power and Freedom in Late Modernity (Princeton, 1995), Politics Out of History (Princeton, 2001), Left Legalism/Left Critique, co-edited with Janet Halley (Duke, 2002), Edgework: Critical Essays in Knowledge and Politics (Princeton, 2005), and Regulating Aversion: Tolerance in the Age of Identity and Empire (Princeton, 2006), Is Critique Secular? co-authored with Talal Asad, Judith Butler and Saba Mahmood (UC Press, 2009) and Walled States, Waning Sovereignty (Zone Books, 2010). Her work has been translated into more than 15 languages. She lectures around the world, has held a number of distinguished visiting lectureships, and has recently been a Senior Fellow of the American Council of Learned Societies, a Member of the Institute for Advanced Study in Princeton, and a UC President's Humanities Fellow.
In the Political Science Department, Professor Brown offers undergraduate courses on early modern and modern European political theory and on political freedom. She offers graduate courses in the history of European political thought and on contemporary problems in political theory drawn from her own research, including, in recent years, sovereignty, critique, humanism, the autonomy of the political, and the problem of the secular. She also teaches in the Designated Emphasis in Critical Theory, an interdisciplinary graduate curriculum.
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我必须承认,这本书的阅读难度略高于我的预期,但正是这种挑战性,才让最终的收获显得如此丰厚。作者在处理复杂的哲学命题时,展现出了非凡的智慧和清晰的逻辑。他没有把复杂的概念简单化,而是引导读者跟随他的思路,一步步深入到问题的核心,去直面那些令人不安的真相。书中穿插的那些学术性的探讨和历史的参照,虽然需要读者有一定的背景知识储备,但它们极大地丰富了故事的厚度和深度,使之超越了一般的娱乐作品的范畴,更像是一部思想的探险记。读完这本书,我感觉自己的知识边界被拓宽了许多,尤其是关于XX理论的部分,让我茅塞顿开。它要求读者全神贯注,但回报给读者的,是实实在在的心智成长。
评分这绝对是近年来我读到的最让人耳目一新的作品之一。它的结构非常巧妙,看似松散的线索,到最后却奇迹般地汇集成一个宏大而完整的画面,让人在合上书的那一刻,忍不住要回顾前面的每一个细节,去寻找那些埋下的伏笔。阅读过程中,我多次被作者的想象力所折服,那些超乎寻常的设定和天马行空的创意,完全跳出了传统叙事的框架,让人大呼过瘾。我欣赏作者那种敢于打破常规的勇气,他没有被任何既有的文学流派所束缚,而是创造出了一种属于自己的、独特的“语感”。读完之后,我感觉自己的思维都被打开了,看待问题的角度也变得更加多元化。这本书需要细细品味,不适合匆忙翻阅,因为其中蕴含的深意和巧妙的文字游戏,需要读者投入足够的时间和精力去解码。
评分这本书简直是本人的精神食粮,读完之后感觉整个世界都变得清晰了许多。作者在叙事上的功力实在令人叹服,每一个场景的描绘都栩栩如生,仿佛我就是那个身处其中的角色,亲身经历了那些跌宕起伏的情节。尤其是在人物塑造方面,简直达到了炉火纯青的地步,那些鲜活的角色性格复杂而真实,他们的挣扎、成长和最终的选择,都深深地触动了我。我常常在夜深人静时合上书本,陷入沉思,回味那些深刻的对话和哲理性的思考。这本书不仅仅是一个故事,它更像是一面镜子,映照出我们内心深处的渴望与恐惧。我很少能遇到这样一本能让人反复品味的书,它提供的不仅仅是娱乐,更是一种对生命和人性的深刻洞察。每一次重读,都会有新的感悟,就像在探索一座永不枯竭的宝藏。那些精妙的比喻和意象,让我对日常生活的理解也上升到了一个新的高度。
评分老实说,刚拿到这本书的时候,我对它并没有抱太高的期望,毕竟市面上同类型的书太多了。但翻开第一页,我就被那种独特的叙事节奏牢牢抓住了。作者似乎对时间的掌控有着异乎寻常的天赋,时而缓慢细腻地铺陈细节,时而又用急促的笔触将高潮推向顶点,这种张弛有度的处理方式,让阅读体验充满了惊喜。更让我印象深刻的是其中对于社会背景的描绘,那种沉浸式的体验让人几乎能闻到那个时代的尘土味和听到市井的喧嚣声。它没有刻意说教,却在不经意间流露出对某些社会现象的批判与反思,这种不动声色的力量比直接的控诉更有穿透力。我特别喜欢书中对环境氛围的营造,无论是阴冷的冬夜,还是炎热的夏日午后,那种感觉都无比真实,仿佛能触摸到书页上的温度。
评分这本书的语言风格简直就像一股清泉,在充斥着快餐式阅读的今天,显得尤为珍贵。作者的遣词造句带着一种古典的韵味,但又丝毫不显陈旧,反而有一种历久弥新的美感。我注意到,许多句子结构都非常工整,读起来朗朗上口,充满了音乐性,这使得阅读过程本身就变成了一种享受。特别是那些描写内心挣扎和情感波动的段落,作者总能找到最精准、最富有张力的词语来表达,精准得让人心头一颤。我甚至会忍不住停下来,反复默念几遍那些优美的段落,感受文字在舌尖上跳跃的感觉。它不像某些畅销书那样追求刺激,而是用一种沉静而坚定的力量,慢慢渗透进读者的内心,留下持久的印记。
评分为什么Wendy Brown这么文风精准简洁鞭辟入里的人会看上Judith Butler,白眼。
评分一个Critical Theorist的随笔集。里面第三章Neoliberalism and the End of Democracy是目前这门课看到的文献中对Neoliberalism本体和现象论述得最好的之一,继承了福柯的解构理论,探讨了保守右翼同新自由主义合流的原因是相互利用道德和经济上的论述,但更直白地指出Neoliberalism在实践中造成liberal democracy衰退的现象,并由此提出左翼不要再被liberal democracy给co-opt,要站在体制外来批判(好吧,我立场上无法赞同)。第二篇关于政治认同和政治爱欲(political love)及第五篇对political theory作用的反思(也是我感兴趣的)都有可读性。最后两篇关于女性研究的没看。
评分为什么Wendy Brown这么文风精准简洁鞭辟入里的人会看上Judith Butler,白眼。
评分一个Critical Theorist的随笔集。里面第三章Neoliberalism and the End of Democracy是目前这门课看到的文献中对Neoliberalism本体和现象论述得最好的之一,继承了福柯的解构理论,探讨了保守右翼同新自由主义合流的原因是相互利用道德和经济上的论述,但更直白地指出Neoliberalism在实践中造成liberal democracy衰退的现象,并由此提出左翼不要再被liberal democracy给co-opt,要站在体制外来批判(好吧,我立场上无法赞同)。第二篇关于政治认同和政治爱欲(political love)及第五篇对political theory作用的反思(也是我感兴趣的)都有可读性。最后两篇关于女性研究的没看。
评分为什么Wendy Brown这么文风精准简洁鞭辟入里的人会看上Judith Butler,白眼。
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