Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence," establishing a relationship between vulnerability, beauty, and existence transcending the separation of species. Her conception of a radical ethics and aesthetics could be characterized as a new poetics of species, forcing a rethinking of the body's significance, both human and animal. Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Reintroducing Weil's elaboration of such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. In her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.
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一锅乱炖 Pick的特点就是复述前人的argument 自己的开发太少了... 另外始终没有看出后面这么多章节跟第一章的Simone Weil有什么必然的联系 几乎每一章都换个姿势诶...对几个文本的解读还行但最后的落脚点为了回到weil实在有点牵强
评分一锅乱炖 Pick的特点就是复述前人的argument 自己的开发太少了... 另外始终没有看出后面这么多章节跟第一章的Simone Weil有什么必然的联系 几乎每一章都换个姿势诶...对几个文本的解读还行但最后的落脚点为了回到weil实在有点牵强
评分赫尔佐格和尼采。薇依和阿甘本。
评分赫尔佐格和尼采。薇依和阿甘本。
评分赫尔佐格和尼采。薇依和阿甘本。
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