Just before the outbreak of World War II, young Witold Gombrowicz left his home in Poland and set sail for South America. In 1953, still living as an expatriate in Argentina, he began his Diary with one of literature's most memorable openings:
"Monday
Me.
Tuesday
Me.
Wednesday
Me.
Thursday
Me."
Gombrowicz's Diary grew to become a vast collection of essays, short notes, polemics, and confessions on myriad subjects ranging from political events to literature to the certainty of death. Not a traditional journal, Diary is instead the commentary of a brilliant and restless mind. Widely regarded as a masterpiece, this brilliant work compelled Gombrowicz's attention for a decade and a half until he penned his final entry in France, shortly before his death in 1969.
Long out of print in English, Diary is now presented in a convenient single volume featuring a new preface by Rita Gombrowicz, the author's widow and literary executor. This edition also includes ten previously unpublished pages from the 1969 portion of the diary.
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翻看瞭這本英譯本。老貢是我喜歡的那類嘈嘈嚷嚷自以為是並特立獨行且固執己見的作傢。其中有句就是這麼說的“I AM I”。和我寫的貢布羅維奇的那篇稿子的題目的意思內核是一緻的,欣慰兒。我買瞭英譯版看,但還是希望趕緊齣中文版吧。
评分翻看瞭這本英譯本。老貢是我喜歡的那類嘈嘈嚷嚷自以為是並特立獨行且固執己見的作傢。其中有句就是這麼說的“I AM I”。和我寫的貢布羅維奇的那篇稿子的題目的意思內核是一緻的,欣慰兒。我買瞭英譯版看,但還是希望趕緊齣中文版吧。
评分讀的是他關於貝多芬和勃拉姆斯的見解。 散文似的日記,文筆相當好。靜靜地讀就好瞭。
评分讀的是他關於貝多芬和勃拉姆斯的見解。 散文似的日記,文筆相當好。靜靜地讀就好瞭。
评分讀的是他關於貝多芬和勃拉姆斯的見解。 散文似的日記,文筆相當好。靜靜地讀就好瞭。
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