Oblique Drawing 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Oblique Drawing

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Massimo Scolari 作者
The MIT Press
Jenny Condie Palandri 譯者
2012-10-5 出版日期
408 頁數
USD 39.95 價格
Hardcover
叢書系列
9780262017749 圖書編碼

Oblique Drawing 在線電子書 圖書標籤: 建築  建築理論  Architecture  drawing  history  建築·曆史  圖像學  設計   


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Oblique Drawing 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Oblique Drawing 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Oblique Drawing 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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雖然Massimo試圖針對Panofsky的理論發起衝擊,但似乎無論是哲學思辨還是視覺藝術案例的選用上都並沒有達到我的預期,最多是給潘老針對symbolic form的“注”加瞭一個“疏”。對一些基本概念辨析有一些幫助

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I am thinking about the relationship between research model and built architecture environment, relationship between rendering and built architecture , and relationship between drawing and architecture. I want to think about it is because representation occupy so much time of the design process which means it occupies a lot of my life.

Oblique Drawing 在線電子書 著者簡介


Oblique Drawing 在線電子書 著者簡介


Oblique Drawing 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Oblique Drawing 在線電子書 圖書描述

For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on classical Greek vases, in Pompeiian frescoes, in Byzantine mosaics; it returned in works of the historical avant-garde, and remains the dominant form of representation in China. In Oblique Drawing, Massimo Scolari investigates "anti-perspective" visual representation over two thousand years, finding in the course of his investigation that visual and conceptual representations are manifestations of the ideological and philosophical orientations of different cultures. Images prove to be not just a form of art but a form of thought, a projection of a way of life. Scolari's generously illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.

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