Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
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幾本比較下來，平心而論，本土評論家多教科書式論述，西方對台的分析反而新奇有趣甚至切中要害
评分幾本比較下來，平心而論，本土評論家多教科書式論述，西方對台的分析反而新奇有趣甚至切中要害
评分Camping out with Tsai Ming-liang
评分写得什么鬼啊，搞笑呢，满篇废话，还拽词。第四章从提到 biography 和 autobiography 开始说了大概有三页纸都没说到重点上。唉，醉了，两星。
评分Camping out with Tsai Ming-liang
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