Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever-we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
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喜欢Rosenbaum永远humble的写作风格，对读者对电影观众的尊重，即使是写如此批判性的关于misunderstanding的话题也能在犀利的同时保持温柔。在美国电影文化形成的主流叙事里指出了几个关键性的误解。不谈主义不甩术语，提到一个好像有约定俗成含义的概念的时候还要先说出自己的定义（比如 independent film，national cinema）的影评人真是太可爱。
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评分key reading of american movie industry
评分key reading of american movie industry
评分喜欢Rosenbaum永远humble的写作风格，对读者对电影观众的尊重，即使是写如此批判性的关于misunderstanding的话题也能在犀利的同时保持温柔。在美国电影文化形成的主流叙事里指出了几个关键性的误解。不谈主义不甩术语，提到一个好像有约定俗成含义的概念的时候还要先说出自己的定义（比如 independent film，national cinema）的影评人真是太可爱。
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