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Henri Lefebvre began his career in association with the surrealist group, from whom he learned Hegel and a concern with dialectical logic. He was the first to translate Marx's early manuscripts into French, and his book Dialetical Materialism (published in 1938) became the work from which several generations of French intellectuals learned Marxism. Immediately after the war, Lefebvre began to reflect on a new object of study which he called "daily life". After the publication of Everyday Life in the Modern World, he was drawn to the analysis of urbanism, and wrote several books on the city, including Space and Politics (1972). In the 1960s he became closely involved with the younger school of French architects, and provided a theoretical framework for their work. Finally, the accumulation of these diverse themes led to his major philosophical work, The Production of Space.
- 列斐伏尔
- 社会学
- 空间
- 城市
- 空間
- 哲学
- space
- 建筑
Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields.
The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy.
This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.
具体描述
读后感
The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...
评分 评分The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...
评分目前工作计划 一 在不久之前，“空间”一词有着一个严格的几何意义：它所引起的仅仅是一个空白区域的想法。学术界使用它通常伴随着一些绰号，例如“欧几里得”“等向性的”或者“无限的”。一般意见是空间的概念最终是数学的。因此，提到“社会空间”会听起来有些陌生。 空间概...
评分The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...
用户评价
痛苦的阅读...
评分It is a difficult book. What my classmate said today is like this:"if someone asks you what space is, you could recommend this book to him, for it covers all kind of space." That is true. Social space, urban space, mathematical space and architectural space they were all discussed by the author who was a philosopher.
评分终于有底气可以说自己读完了。
评分拿來分析A Rose for Emily。保佑我儘快順利寫完essay~
评分巨作。几十年前就预示和解释了当前的许多社会现象。
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