This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
The book covers only a small portion of the field of English style, but the experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he prefers to that offered by any textbook.
The writer's colleagues in the Department of English in Cornell University have greatly helped him in the preparation of his manuscript. Mr. George McLane Wood has kindly consented to the inclusion under Rule 11 of some material from his Suggestions to Authors.
The following books are recommended for reference or further study: in connection with Chapters II and IV, F. Howard Collins, Author and Printer (Henry Frowde); Chicago University Press, Manual of Style; T. L. De Vinne Correct Composition (The Century Company); Horace Hart, Rules for Compositors and Printers (Oxford University Press); George McLane Wood, Extracts from the Style-Book of the Government Printing Office (United States Geological Survey); in connection with Chapters III and V, Sir Arthur Quiller-Couch, The Art of Writing (Putnams), especially the chapter, Interlude on Jargon; George McLane Wood, Suggestions to Authors (United States Geological Survey); John Leslie Hall, English Usage (Scott, Foresman and Co.); James P. Kelly, Workmanship in Words (Little, Brown and Co.).
It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature.
书是着名的经典,看到时还直接买了两本,想说可以送朋友。回来后一翻,极为失望,把我在豆瓣第一个一颗星评价给了它。 我买到的是据称修订过的二版。打开来第一印象首先就是排版极为差劲,深深浅浅的绿色极干扰阅读,用了一堆大小不同的字体,但文章结构的视觉层次感却极为紊论...
评分这书开头非常简单,但翻到最后才发觉朴实无华的语法讲要背后的学问。 作为一名阅读爱好者,读到优秀的文字时,其实我不会特别有感觉。因为读的时候早就已经顺着作者的思想游走了,哪里顾得了去细细体味措词造句背后的艺术。可是,读到不好的文字时,却常常难受得抓耳挠腮。啰...
评分这书开头非常简单,但翻到最后才发觉朴实无华的语法讲要背后的学问。 作为一名阅读爱好者,读到优秀的文字时,其实我不会特别有感觉。因为读的时候早就已经顺着作者的思想游走了,哪里顾得了去细细体味措词造句背后的艺术。可是,读到不好的文字时,却常常难受得抓耳挠腮。啰...
评分文如其人——读《the elements of style》 虽然从大学起就开始接受英文写作的训练,但是读过此书前,我都没能理解什么才是好的写作? 《the elements of style》是英文世界中一本畅销不衰的经典,用不到数百页的篇幅谈论了英文写作的基本原理和注意事项。这本书最不是空洞的说...
评分如果一个英文作家不知道这本书,那他肯定不是个英文作家。这本出版了将近百年的小书,已经成为了最有影响的英文写作指导书。先是由教授William Strunk Jr.自行出版,拿这本书教他的学生。他的学生E. B.怀特后来成了《纽约客》的编辑,并奠定了它幽默与优雅并存的文风。当出版社...
绝对参考书
评分这本书对我的刺激连绝对阈值都没达到 writing is simply an outpouring.
评分这种精悍的小册子 阅读的性价比极高 只不过不知道那本 International Edition的现在不知道躺在谁家
评分绝对参考书
评分虎头蛇尾,文不对题。
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