This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
The book covers only a small portion of the field of English style, but the experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he prefers to that offered by any textbook.
The writer's colleagues in the Department of English in Cornell University have greatly helped him in the preparation of his manuscript. Mr. George McLane Wood has kindly consented to the inclusion under Rule 11 of some material from his Suggestions to Authors.
The following books are recommended for reference or further study: in connection with Chapters II and IV, F. Howard Collins, Author and Printer (Henry Frowde); Chicago University Press, Manual of Style; T. L. De Vinne Correct Composition (The Century Company); Horace Hart, Rules for Compositors and Printers (Oxford University Press); George McLane Wood, Extracts from the Style-Book of the Government Printing Office (United States Geological Survey); in connection with Chapters III and V, Sir Arthur Quiller-Couch, The Art of Writing (Putnams), especially the chapter, Interlude on Jargon; George McLane Wood, Suggestions to Authors (United States Geological Survey); John Leslie Hall, English Usage (Scott, Foresman and Co.); James P. Kelly, Workmanship in Words (Little, Brown and Co.).
It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature.
知道这本书,准确地说是一本只有43页的小册子,是从徐宥博客上一篇介绍计算机科学经典书籍的文章。 徐宥说:“各位读者老大中有不少都是大学生,相信不少都参加过形形色色的英语写作培训班。如果当年您参加培训班的时候,老师没有介绍一本叫做 <The Elements of Style> (TEoS)...
评分知道这本书,准确地说是一本只有43页的小册子,是从徐宥博客上一篇介绍计算机科学经典书籍的文章。 徐宥说:“各位读者老大中有不少都是大学生,相信不少都参加过形形色色的英语写作培训班。如果当年您参加培训班的时候,老师没有介绍一本叫做 <The Elements of Style> (TEoS)...
评分From my perspective, no book in shorter sapce, with fewer words, will help any writer more than this persistent little volume which the work remains a nonpareil: direct, correct, and delightful. Truth be told, i was a student that needed help in my punct...
评分文如其名 the elements of style 这次看的是4版 E.B 怀特revise版 他写的序 基本解释了这本书的popular之处 我想说的是写作之重要 从我进这个program的第一天起 就不断被各种教授念 写作对与我们来说是多么重要 我都曾经一度怀疑自己是不是进了一个写作program memo要有memo...
评分I bought this book for almost two years, but never finished reading it. Appealing stories always distract me. I take seriously to enhance my writing this time. The fellowing is my note. Part One: 11 principles of usage 1. Form the possessive singular of n...
读的应该是1950年版的,电子版,只有50多页
评分清晰、简洁、连贯。工具书当如此。
评分比较底层的英文写作技术。有点太技工了。
评分Bible. // May not be useful for beginners though.
评分经典的意义在于每回重新细读时都有不同的体会,一本具有生命力的书。
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