Achille Catiglioni pdf epub mobi txt 电子书 下载 2026
- 工业设计
- 设计
- 意大利
- 大师
- product
- italiano
- design
- 建筑设计
- 意大利建筑
- 现代主义
- 设计史
- 建筑师
- 米兰理工大学
- 20世纪建筑
- 室内设计
- 家具设计
- 工业设计
具体描述
This new monograph documents the work of international master of design Achille Castiglioni. During his half-century career, Castiglioni has designed over 150 objects, including lamps, stools, bookshelves, electrical switches, cameras, telephones, vacuum cleaners, and car seats. Many of his designs, like the Arco and Brera lamps, the Firenze wall clock, the RR 126 stereo system, and the Primate seat, achieve the highest standards of visual art as well as design, and several of his works are featured in the design collections of major museums. Taking as his motto ''Design demands observation,'' Castiglioni has created objects that are inspired by and respond to the demands of everyday life, basing some of his most famous designs on quotidian objects like a street lamps or a car's front reflector. His work is marked throughout by an attention both to the timeless essentials of great design and to the changing behavior and values of modern culture. This catalogue presents the highlights of Castiglioni's 50-year career in design in sumptuous reproductions, documenting an oeuvre that constitutes one of the highest expressions of contemporary creativity.
作者简介
Achille Castiglione was born in 1918 in Milan, and studied architecture at the Polytechnic in Milan. Just after World War II he joined the studio run by his two older brothers, Livio and Pier Giacomo, also architects. After Livio left the practice in 1952, Achille and Pier Giacomo collaborated until the latter's premature death in 1968. Working alone since then, Achille has continued to innovate in the field of design, and has received countless awards for his work from organizations all over the world. In 1997, he was the subject of a retrospective at the Museum of Modern Art in New York. Paola Antonelli has been curator of the Department of Architecture and Design at the Museum of Modern Art, New York, since 1994. She has taught at the University of California in Los Angeles and has lectured extensively on design in North America, Japan, and Europe.
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评分故事的节奏感把握得极其微妙，它没有采用那种线性推进的叙事手法，而是像一幅精心编织的挂毯，不断在不同的时间线和人物视角间穿梭跳转。初读时可能会有些许迷惘，但一旦沉浸其中，你会发现那些看似跳跃的片段，实则暗藏着精妙的因果链条。作者对环境氛围的渲染力道精准而克制，他从不滥用形容词，而是通过对光影、声响乃至气味的细致描摹，让读者仿佛置身于那个特定的历史场景之中。特别是对一些群体心理状态的刻画，简直入木三分，那些潜藏在日常对话之下的暗流涌动，被揭示得淋漓尽致，令人不寒而栗。这种叙事策略，要求读者必须保持高度的专注，但一旦跟上作者的思路，那种拨云见日、豁然开朗的体验，是任何直白叙事都无法比拟的。
评分这本书的语言风格实在让人印象深刻，它糅合了古典的庄重感和现代的犀利感，形成了一种独特的张力。作者的词汇量无疑是惊人的，但他拒绝堆砌生僻字眼，而是选择用最恰当、最具力量的词语去雕刻场景和情感。我尤其欣赏作者处理人物内心独白的方式，那种不加修饰、直抵灵魂深处的审视，常常让人在阅读时不得不停下来，细细揣摩自己的人生。偶尔出现的几句哲思性的议论，也处理得非常自然，它们像是从故事的缝隙中自然生长出来，而非刻意植入的说教。这种对语言的驾驭能力，体现了作者深厚的文学底蕴，使得即便是描绘最残酷的现实，也带着一种近乎诗意的距离感，让人在痛苦中依然能感受到美学上的慰藉。
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