Katsushika Hokusai (1769-1849) was one of the greatest of the Japanese printmakers, painters and book illustrators. This richly illustrated monograph provides an overview of the master's life and works. Comprising introductory essays, seven chapters embracing Hokusai's entire career and some 700 illustrations, it presents and analyses a large selection of Hokusai's finest works in all media, covering his whole career and giving a scholarly and up-to-date interpretation of the artist and his significance.Gian Carlo Calza is Professor of East Asian Art History at the University of Ca' Foscari, Venice, and Director of the International Hokusai Research Centre in Milan. A distinguished authority on Hokusai and Japanese art, he has published many books, exhibition catalogues and articles on Hokusai, and is currently preparing a catalogue raisonn+ of Hokusai's paintings.In addition to Calza's eight introductory essays and his catalogue of the artist's works, the book includes discussions of various aspects of Hokusai's art by inter-nationally respected authorities in the field, namely Roger S. Keyes, Visiting Professor in the History of Art at Brown University; Matthi Forrer, Curator at the National Museum of Ethnology, Leiden; John M. Rosen-field, Professor Emeritus of East Asian Art at Harvard University; Richard Lane, independent scholar; Asano Shugo, Curator of the Municipal Museum of Art, Chiba; Tsuji Nobuo, Rector of Tama University of Fine Arts, Tokyo; and Kobayashi Tadashi, Director of the Muni-cipal Museum of Art, Chiba, and Professor of East Asian Art History at the University Gakushuin of Tokyo.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
觸手係鼻祖！！！！！
评分北齋版畫的方方麵麵，好看的惱火。
评分排版不是太滿意
评分北齋版畫的方方麵麵，好看的惱火。
评分雖然浮世繪並不是日本的主流畫派，但對於非日本人來說，最初瞭解的日本繪畫均為浮世繪，而這其中最有名的自然就是葛飾北齋。但後來看過很多日本浮世繪師的介紹和畫作後，發現即使是在浮世繪領域，對於日本人來說最有名的也並非葛飾北齋，而是歌川國芳，看看之後日本黑社會的紋身，全是歌川國芳的畫作啊！
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