目录

Introduction: The Literature of Film Music

by Clifford McCarty, book author and journalist, former Vice President of the SPFM

The Materials of Film Music: Their Nature and Accessibility

by H. Stephen Wright, Associate Dean of Public Services at Northern Illinois University

"Tumult, Battle and Blaze": Looking Back on the 1920s—and Since—with Gaylord Carter, the Dean of Theater Organists

by Rudy Behlmer, television producer/director, book author and educator

Performing with Silent Films

by Dennis James, theater organist and historian

What Were Musicians Saying About Movie Music During the First Decade of Sound? A Symposium of Selected Writings

by Fred Steiner, musicologist and composer for film and television (Perry Mason, Star Trek)

Stravinsky and MGM

by William H. Rosar, founder and former President of the SPFM

Max Steiner and the Classical Hollywood Film Score: An Analysis of The Informer

by Kathryn Kalinak, professor of English and film studies at Rhode Island College, Providence

The Music of Flash Gordon and Buck Rogers

by Richard H. Bush, business executive

Holding a Nineteenth Century Pedal at Twentieth Century-Fox

by David Raksin, Oscar-nominated composer for film (Laura, Forever Amber) and television (Ben Casey)

Miklós Rózsa'sBen-Hur: The Musical-Dramatic Function of the Hollywood Leitmotiv

by Steven D. Wescott, researcher and historian

A Conversation with Bernard Herrmann

by Leslie T. Zador, attorney and Gregory Rose, radio producer and host

The Film Composer in Concert and the Concert Composer in Film

by Eddy Lawrence Manson, film composer and orchestrator