Forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study -- illustrated with more than five hundred original architectural diagrams and archival photographs -- employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define an idea of the critical in architecture.
Eisenman's methodology is wholly removed from traditional approaches -- social, historical, aesthetic, functional. Instead, the various articulations and openings on the facades constitute a set of marks, notations that provide the basis for his analysis. In the Casa del Fascio, for example, each of the four sequential design schemes records the previous state, encoding the process of transformation in the final building. In the Casa Giuliani-Frigerio it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni and a critique by Manfredo Tafuri. In the end, it is the dual protagonists -- the architect and the author -- who together establish a new theoretical and analytical framework.
具體描述
讀後感
吉赛普.特拉尼绝对是不比柯布希埃逊色的伟大建筑师，可惜英年早逝，现在在米兰附近留有其多个作品，国内建筑师除了张永和张雷马青运等外知道这个建筑师的很少
評分吉赛普.特拉尼绝对是不比柯布希埃逊色的伟大建筑师，可惜英年早逝，现在在米兰附近留有其多个作品，国内建筑师除了张永和张雷马青运等外知道这个建筑师的很少
評分吉赛普.特拉尼绝对是不比柯布希埃逊色的伟大建筑师，可惜英年早逝，现在在米兰附近留有其多个作品，国内建筑师除了张永和张雷马青运等外知道这个建筑师的很少
評分吉赛普.特拉尼绝对是不比柯布希埃逊色的伟大建筑师，可惜英年早逝，现在在米兰附近留有其多个作品，国内建筑师除了张永和张雷马青运等外知道这个建筑师的很少
評分吉赛普.特拉尼绝对是不比柯布希埃逊色的伟大建筑师，可惜英年早逝，现在在米兰附近留有其多个作品，国内建筑师除了张永和张雷马青运等外知道这个建筑师的很少
用戶評價
但丁美術館是一種怎樣的存在呢 方案重要能不能落地於實踐
评分去年，把該書讀完,學到很多東西。（1）態度。埃森曼這本書的分析，顯示齣來一種長期的積纍和仔細的閱讀，跟他的那些哲學名文的大題目相比，這次，像是在拿顯微鏡看建築。於是被感動。（2）這本書是典型的70年代著作。一個，就是文本分析的痕跡，在建築身上，直接錶現為對於形式句法和記號序列的分析；一個是巴爾特那種零度寫作的態度，不對意義進行擴散，不對形式背後的政治性做過多評判。將文本分析進行到底。（3）形式分析對建築設計很重要。不然，建築的根基就少瞭一個。
评分何止eisenman愛到死。0505-2nd-p49: subtraction of volumes
评分毫無專業操守地隨便說說，艾森曼是真·中二……
评分何止eisenman愛到死。0505-2nd-p49: subtraction of volumes
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