The Painter of Modern Life and Other Essays

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出版者:Phaidon Press
作者:Charles Baudelaire
出品人:
页数:310
译者:Mayne, Jonathan
出版时间:1995-8-24
价格:USD 11.95
装帧:Paperback
isbn号码:9780714833651
丛书系列:
图书标签:
  • 艺术史 
  • Baudeliare 
  • 美学 
  • 文 
  • 经典 
  • modernism 
  • 课 
  • 西方文学 
  •  
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Charles Baudelaire (1821-67) was a leading poet and novelist in nineteenth who also devoted a considerable amount of his time to criticism. Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life. This he was to find in Constantin Guys, whom he later celebrated in the famous essay which provides the title-piece for this collection. Other material in this volume includes important and extended studies of three of Baudelaire's contemporary heroes - Delacroix, Poe and Wagner - and some more general articles, such as those on the theory and practice of caricature, and on what Baudelaire, with intentional scorn, called philosophic art. This last article develops views only touched on in Baudelaire's other writings. This volume is extensively illustrated with reproductions of works referred to in the text and otherwise relevant to it. It provides a survey of some of the most important ideas and individuals in the critical world of the great poet who has been called the father of modern art criticism.

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Modern implies things new and different (from the past), and hence suggests a subtle semantic rejection of the past. In this small book, Baudelaire declared his breaking off from the classical past, especially the neo-classical style painting. He foresaw a ...

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Modern implies things new and different (from the past), and hence suggests a subtle semantic rejection of the past. In this small book, Baudelaire declared his breaking off from the classical past, especially the neo-classical style painting. He foresaw a ...

评分

Modern implies things new and different (from the past), and hence suggests a subtle semantic rejection of the past. In this small book, Baudelaire declared his breaking off from the classical past, especially the neo-classical style painting. He foresaw a ...

评分

Modern implies things new and different (from the past), and hence suggests a subtle semantic rejection of the past. In this small book, Baudelaire declared his breaking off from the classical past, especially the neo-classical style painting. He foresaw a ...

评分

Modern implies things new and different (from the past), and hence suggests a subtle semantic rejection of the past. In this small book, Baudelaire declared his breaking off from the classical past, especially the neo-classical style painting. He foresaw a ...

用户评价

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又一次看到几乎可以倒背如流的modernity定义 我记得Fredric Jameson有一句话醍醐灌顶:当我们把波德莱尔这段definition当作cliche不假思索地来用的时候 不要忘记他所说的transitory fleeting的部分只是现代性的one half 还有一半是eternal immutable 只是在hierarchy上 没有前者就无法激发出后者

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the best version

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鲜明

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presentation分數裏有你的一份,bro,thanks a lot

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只是粗略的看了一些

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