Flaubert's Parrot

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出版者:Vintage
作者:Julian Barnes
出品人:
页数:192
译者:
出版时间:1990-11-27
价格:USD 15.00
装帧:Paperback
isbn号码:9780679731368
丛书系列:
图书标签:
  • JulianBarnes
  • 英国
  • 英文原版
  • 英国文学
  • 小说
  • 外国文学
  • 文学
  • 思辩
  • Flaubert
  • Parrot
  • Literature
  • Fiction
  • Modernism
  • Language
  • Play
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具体描述

Which of two stuffed parrots was the inspiration for one of Flaubert's greatest stories? Why did the master keep changing the colour of Emma Bovary's eyes? And why should it matter so much to Geoffrey Braithwaite, a retired doctor haunted by a private secret? In "Flaubert's Parrot", Julian Barnes spins out a multiple mystery of obsession and betrayal (both scholarly and romantic) and creates an exuberant enquiry into the ways in which art mirrors life and then turns around to shape it.

作者简介

Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize--- Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.

Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.

He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.

目录信息

读后感

评分

后现代小说的典范,互文、杂糅、戏仿。 从小说的题目而言,再到其具体内容来看,从叙述的节奏推进而言,福楼拜的鹦鹉被悬置了,在开头提到没有多久后,鹦鹉就消失了,直到最后一章再出现了。 故事本身已经不重要了,重要的是形式本身?真实与虚构的界限已经被混杂了。 打破了原...  

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我翻阅了一下此书的第一页,立刻就感觉翻译得味同嚼蜡,磕磕绊绊,毫无语感,把一部重要的文学作品翻译成这样是很不负责任的表现。建议出版社找人重新翻译此书。 在网上发现了一篇专门罗列这本书翻译错误的文章,转帖如下: —————————————转 帖———————...  

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汤永宽译本的前言中误将巴恩斯当作因《福楼拜的鹦鹉》(1984)和《英格兰,英格兰》(1998)两获布克奖。实际上,他只是两获布克奖提名,当年获得布克奖的分别是阿妮塔•布鲁克娜的《旅馆》(1984)和伊恩•麦克尤恩的《阿姆斯特丹》(1998)。在布克奖历史上两度获奖的作...  

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文/吴情 不知从哪里听说过一句话,大意是作家传记中不好书写的部分,不妨用小说的形式间接表现,毕竟,小说是虚构的艺术。这句话,针对法国作家福楼拜来说毋宁十分恰当。在浪漫主义与现实主义竞相争夺文学话语霸权的时代,福楼拜几乎是异常寂寞地经营着自己的小说花园...

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用户评价

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太有意思了,对福楼拜生平故事进行挖掘,但表面之下隐藏着叙事者自己的倾诉欲望和冲动,隐藏着自己的视角和诉求

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A inspiring fictional non-fiction!

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一部杂糅各种文体的“复调小说”;一部福楼拜的传记和叙事者的自传;一部对文学批评的戏仿。非常有趣。

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動人,或許尤其對於福樓拜愛好者。發現自己從來無法抗拒這種自我指涉的文學作品,是不是文學愛好者的自我感動?裡面提到軼事:醫生父親問年幼的福樓拜,膽是什麼?福樓拜答,膽是人的身體不可缺少的一部分,就像詩對於人的心靈。可是現在膽已經可以無痛切除了,科學讓它無關緊要了:幸或不幸?文學愛好者如果放棄自我感動,還有人會為文學感動嗎?

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a genre mosaic~~~it could be read as a biography, travel journalism or meta-fiction. I would not say a literary criticism since Flaubert resents it. However, it is one of the best genius works that I have ever come across: ironic, humorous, insightful and thought-provoking.

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