杰夫里·迪弗，1950年出生于芝加哥。11岁时写出了他的第一本小说，从此再也没有搁下笔。作为一个诗人、记者，他不光自己他写歌唱歌，还进行巡演。迪弗当过杂志社记者。为了成为《纽约时报》或者《华尔街日报》的法律记者，他去福德汉姆法律学院学习，毕业后，他在法律界实践了一段时间后，就在华尔街一家大律师事务所开始了律师生涯。在这几年间，他开始写那种他最喜欢读的悬疑小说。1990年起，迪弗成为一名全职作家。

迄今为止，迪弗共创作了22部小说，获得六次MWA（美国推理小说作家协会）的爱伦·坡奖提名，一次安东尼奖、三次获得艾勒里•奎恩最佳短篇小说读者奖。2001年，《空椅子》一书获W.H.史密斯好书奖。2004年，因为《野兽花园》，迪弗被CWA（英国犯罪小说家协会）授予钢匕首奖。

迪弗的小说被翻译成35种语言，多次登上世界各地的畅销书排行榜，包括《纽约时报》、《泰晤士报》以及《洛杉矶时报》这样的大媒体。他的名作《人骨拼图》被环球电影制片公司拍摄成同名电影，由奥斯卡奖得主丹泽尔·华盛顿与安吉丽娜·朱莉联袂主演；《少女的坟墓》被HBO改编为电影《死寂》，由詹姆斯·加纳主演。另一部小说《蓝色骇客》的改编权亦已售出。

杰夫里·迪弗兴趣广泛。除了犯罪侦探小说，作为美食家的他还有意大利美食方面的书行世。

In the most ingenious and provocative thriller yet from the acclaimed "New York Times" bestselling author Jeffery Deaver, a conscience-plagued mobster turned government hitman struggles to find his moral compass amid rampant treachery and betrayal in 1936 Berlin.Paul Schumann, a German American living in New York City in 1936, is a mobster hitman known as much for his brilliant tactics as for taking only "righteous" assignments. But then Paul gets caught. And the arresting officer offers him a stark choice: prison or covert government service. Paul is asked to pose as a journalist covering the summer Olympics taking place in Berlin. He's to hunt down and kill Reinhard Ernst -- the ruthless architect of Hitler's clandestine rearmament. If successful, Paul will be pardoned and given the financial means to go legit; if he refuses the job, his fate will be Sing Sing and the electric chair.Paul travels to Germany, takes a room in a boardinghouse near the Tiergarten -- the huge park in central Berlin but also, literally, the "Garden of Beasts" -- and begins his hunt. In classic Deaver fashion, the next forty-eight hours are a feverish cat-and-mouse chase, as Paul stalks Ernst through Berlin while a dogged Berlin police officer and the entire Third Reich apparatus search frantically for the American."Garden of Beasts" is packed with fascinating period detail and features a cast of perfectly realized locals, Olympic athletes and senior Nazi officials -- some real, some fictional. With hairpin plot twists, the reigning "master of ticking-bomb suspense" ("People") plumbs the nerve-jangling paranoia of prewar Berlin and steers the story to a breathtaking and wholly unpredictable ending.