Hieronymus Bosch was painting terrifying yet strangely likable monsters, often with a touch of humour, long before computer games were invented. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its religious wars. Medieval traditions and values were crumbling, paving the way to thrust man into a new universe where faith had lost its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. His favorite allegories were hell, heaven and lust. He held that everyone had to choose between one of two options: either heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.
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评分博斯的主要三联画都收录了，还有很多放大的局部图，可以观察细节。全书4/5都在扯闲篇，只有1/5的篇幅分析了“圣安东尼的诱惑”。作者的观点可以概括为，博斯既非神经病也不是在画里暗藏邪经的异端分子，其所画者自有传承和依据，即魔鬼学、巫术、塔罗、炼金术，等等。不过他没解释为什么画地狱的那么多，只有博斯的地狱最变态。
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评分不得不承认很厉害,但是看得太深入会不舒服
评分博斯的主要三联画都收录了，还有很多放大的局部图，可以观察细节。全书4/5都在扯闲篇，只有1/5的篇幅分析了“圣安东尼的诱惑”。作者的观点可以概括为，博斯既非神经病也不是在画里暗藏邪经的异端分子，其所画者自有传承和依据，即魔鬼学、巫术、塔罗、炼金术，等等。不过他没解释为什么画地狱的那么多，只有博斯的地狱最变态。
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