Hieronymus Bosch was painting terrifying yet strangely likable monsters, often with a touch of humour, long before computer games were invented. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its religious wars. Medieval traditions and values were crumbling, paving the way to thrust man into a new universe where faith had lost its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. His favorite allegories were hell, heaven and lust. He held that everyone had to choose between one of two options: either heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.
具體描述
讀後感
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用戶評價
博斯的主要三聯畫都收錄瞭，還有很多放大的局部圖，可以觀察細節。全書4/5都在扯閑篇，隻有1/5的篇幅分析瞭“聖安東尼的誘惑”。作者的觀點可以概括為，博斯既非神經病也不是在畫裏暗藏邪經的異端分子，其所畫者自有傳承和依據，即魔鬼學、巫術、塔羅、煉金術，等等。不過他沒解釋為什麼畫地獄的那麼多，隻有博斯的地獄最變態。
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评分不得不承認很厲害,但是看得太深入會不舒服
评分不得不承認很厲害,但是看得太深入會不舒服
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