FRANKENSTEIN 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


FRANKENSTEIN

简体网页||繁体网页
Mary Wollstonecraft Shelley 作者
Wordsworth Editions Ltd
译者
1992-05-01 出版日期
208 页数
GBP 1.99 价格
Paperback
Wordsworth Classics 丛书系列
9781853260230 图书编码

FRANKENSTEIN 在线电子书 图书标签: MaryShelly  英国文学  科幻  小说  外国文学  ScienceFiction  英文  英文原版   


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发表于2024-12-26


FRANKENSTEIN 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

FRANKENSTEIN 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

FRANKENSTEIN 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



FRANKENSTEIN 在线电子书 用户评价

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In essence the tale is a warning that meddling with nature is not a part of the natural order of things and that it will end in tragedy.

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This is the root of science fiction, it opens up the most significant three literary motifs in science fiction. The subtitle "The Modern Prometheus" implies the miserable origin, creator and author - Frankenstein is a fake God, and thus he is cursed by God for ever for his arrogation.

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很爱 我真是心理变态

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1818年的science fiction哦!18岁的玛丽雪莱好啰嗦....... 果然还是电影里的形象比较萌!!

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能诱发一千个哈姆雷特的故事才是好故事

FRANKENSTEIN 在线电子书 著者简介

玛丽•雪莱(1797—1851)

英国著名小说家,以《弗兰肯斯坦》闻名于世,被誉为“科幻小说之母”。生于书香门第,父亲是哲学家,母亲是激进的女权主义者。玛丽•雪莱后与浪漫主义诗人珀西•雪莱私奔。创作《弗兰肯斯坦》时年仅十九岁。


FRANKENSTEIN 在线电子书 图书目录


FRANKENSTEIN 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

FRANKENSTEIN 在线电子书 图书描述

Book Description

The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

This novel is the deeply disturbing story of a monstrous creation which has terrified and chilled readers ever since its first publication in 1818. The novel is the outcome of reflection on Gothic horror, galvanism, the then theories concerning the origin of life and the myth of Prometheus.

Amazon.com

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

From 500 Great Books by Women; review by Jesse Larsen

After being rescued from an iceberg, Dr. Frankenstein relates his autobiography to the ship's captain, complete with vivid descriptions of his idyllic childhood and passionate cries of regret that not even his love for Elizabeth could control his fanatic ambition. Dr. Frankenstein has been consumed by his desire to create a fully-grown living creature. When he reaches his goal, he perceives his creation as a monster, immediately regrets his work, and promptly abandons it. We also hear the poignant voice of the monster as he describes the spurning and physical attacks he has endured because of his ugliness; his desolate pain and loneliness; how he learns to love; how he finally finds and tries, unsuccessfully, to make peace with his maker; how he learns to hate. A story within a story, Frankenstein is a subtle and ironic prophecy that raises the question of who exactly is the real monster in this story.

From Booklist

Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago.

                              Hazel Rochman

From School Library Journal

Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.

                                Michele Snyder, Chappaqua Public Library, NY

From AudioFile

With so many poor adaptations of Mary Shelley's classic work in all forms of media, it's refreshing to come across a production that retains the quality, premise, and themes of the original book. As the title and principal character, Dr. Frankenstein has an affected voice that suits his tragically ambitious character. The supporting cast works well in a full range of emotions. The script and vocal characterizations de-emphasize Shelley's vision of an intelligent and cunning monster, but this is a quibble. This production is a boon for students new to the book, teachers looking for supplemental classroom materials, and fans of classic literature. A.F.

About Author

Mary Shelley was born Mary Wollstonecraft Godwin on August 30, 1797 in London, the daughter of William Godwin--a radical philosopher and novelist, and Mary Wollstonecraft--a renowned feminist and the author of Vindication of the Rights of Woman. She eloped to France with Shelley in 1814, although they were not married until 1816, after the suicide of his first wife. She began work on Frankenstein in 1816 in Switzerland, while they were staying with Lord Byron, and it was published in 1818 to immediate acclaim. She died in London in 1851.

Book Dimension :

length: (cm)19.8                 width:(cm)12.6

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FRANKENSTEIN 在线电子书 读后感

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赛博格概念最早来自于美国航空航天局的两个科学家Manfred Clynes和Nathan Kline。20世纪60年代,她们从'' cybernetic organism''(控制有机体)两个词中各取前三个字母构造了一个新词''cyborg''。这个概念的提出旨在通过技术手段对空间旅行人员的身体性能进行加强。也就是说,...  

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引: “即人制造了机器,但并不能主宰机器,反而被机器反咬一口。直到最近读了完整版,我才知道这部号称科幻小说之母的小说,包含的无穷内涵并不止科技问题。 小说的情节很简单。弗兰肯斯坦野心勃勃地创造了一个奇丑无比的巨人,希望以生命制造者的身份赢得敬仰。但被创造的怪...  

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其实就是大名鼎鼎的《弗兰肯斯坦》,这个故事的家喻户晓可能还得归功于好莱坞的电影。最初我以为这是一个极好消遣时间的小说。恐怖的医学实验,科学怪人变态杀人手法以及科学家的扭曲人格等等恐怖元素都是我非常期待的。   然而结果还是让人蛮失望的,科学怪人只杀了似...  

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如果造出了一个丑陋的怪物怎么办?人们选择唾弃他,弗兰肯斯坦选择抛弃他。 如果生出了一个残疾的小孩怎么办?有的父母选择继续抚养,而有的父母选择无情地抛弃。 其实,这些问题都是相似的。 怪物的名字不叫弗兰肯斯坦,弗兰肯斯坦是创造怪物的人。怪物没有名字。 上帝造出...  

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