French Affair,  A: The Paris Beat 1965-1998 (平裝)

French Affair, A: The Paris Beat 1965-1998 (平裝) pdf epub mobi txt 電子書 下載2026

出版者:Penguin Putnam Inc.
作者:Mary Blume
出品人:
頁數:276
译者:
出版時間:1999-12
價格:35.0
裝幀:平裝
isbn號碼:9780452282032
叢書系列:
圖書標籤:
  • On_the_go
  • France
  • 爵士樂
  • 巴黎
  • 音樂史
  • 文化
  • 迴憶錄
  • 藝術
  • 法國
  • 1960年代
  • 1990年代
  • 音樂傢
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具體描述

Mary Blume brings her insight, humor, and unique perspective to bear on the French--their leaders, their cars, their museums, and more--in this collection of 66 essays from her "International Herald Tribune" columns over the past 33 years. 11 line drawings. 4 photos.

Even the most dedicated expat rarely manages to completely fit into an adopted foreign culture. It's precisely this quality that allows American Mary Blume to so thoughtfully observe and record Paris, the city that's served as her home for over three decades, though its ways may still mystify her. In A French Affair--a collection of essays published in the International Herald Tribune--the columnist deftly captures the quirks and changes that are visible only to those who live in France, though they may be most interesting to those who don't.

In these commentaries--ranging from the opening of invention conventions to the mire of bureaucracy that accompanies the naming of a street (which may only be named after dead people, preferably deceased for at least 15 years)--Blume unveils the French quest for perfection in a world that's perfectly imperfect because of French design, and how the logic of Descartes's descendents--regarding such points as grammar--is sometimes extreme to the point of being irrational. She captures trends, from the fashionable la ratte potato to the metric system. She records notable moments---the death of a designer, the opening of a charm school for men--and notable people, such as Renoir's jet-setting son and Simone de Beauvoir. Of course, this being a book about France, Blume occasionally delves into food, be it the inner workings of a soup kitchen or the launching of cooking classes taught by royalty. With these witty and insightful short snippets, Blume provides small, crystal-clear windows into true French life--a rare accomplishment from an expatriate or a native.

                         --Melissa Rossi

Blume, an International Herald Tribune columnist, lived in Paris for more than three decades, during which these columns were written. In total, these snippets of life in Paris present the city in all its complexity. Her portrayals bring to mind Sanche de Gramont, who in his classic The French (1969) forever brush-stroked Parisians in a grating cultural study. Blume, though, is a more concise de Gramont (succinctness, of course, is forced upon her by the discipline of her craft) and also a more sympathetic one. Her focus rests on such items as the first Parisian charm school for boys, the last old-time soup kitchen in Paris (when one customer was offered a Gauloise cigarette, which he turned down, saying he only smoked Marlboros!), or Mouna, an "acrobat of ideas" who is trying to turn the Luxembourg Gardens into another Hyde Park Speaker's Corner. These and 58 other essays and reviews offer sweeping insights from both Blume's outsider status as an American and her insider status as a three-decades resident. Illustrated with witty and stylish cartoons by Ronald Searle.

                           Allen Weakland

Blume has lived in France for over three decades. Here is a collection of 61 of her International Herald Tribune columns, which includes commentary on French social and cultural life and profiles of writers and film directors. She describes, among other things, a museum built in honor of the bearded lady of Thaon, Clementine Delait; a street still waiting to be named; and an uprising led by the regulars of a restaurant who do not want things to change under the new managementAall of which read like absurdist comedy. Illustrations by Ronald Searle enhance the irreverent and perceptive text. These essays give us an insider's view of things quintessentially French, but a collection of columns, by nature, tends to be dated. Not an essential purchase.

                        ARavi Shenoy, Hinsdale P.L., IL

A collection of essays on life in France, by an American who's lived there since 1965. Everyone who's ever been there, as well as some who haven't, has an opinion to offer about France. If one goes by the number of books published about France in the United States, Americans, in particular, seem fascinated with the French way of life. Perhaps it's the sophistication of the French, their seemingly effortless sense of style. Maybe it's the food, or the wine, or the language, or the art. Or maybe, as Mary Blume so aptly demonstrates in the title of her book, a visit to France is like a love affair, remembered accordinglywith regret, with affection, with passion, frustration, or disgust. The essays in this collection were written over the course of Blume's thirty years as a columnist at the International Herald Tribune, and offer a welcome perspectivethat of an American who, while intimately familiar with France (and in particular with Paris), remains enough of an outsider to comment clearly and honestly on what she sees. The book is assembled in three sections. It opens with ``Paris France,'' which includes diverse commentary on the people, places, and customs of the city; continues with ``Rites and Rules,'' which illustrates some of the country's idiosyncrasies; then concludes with ``Words and Images,'' in which the author expands her geographical area of reference in interviews with some of Europe's most celebrated artists, writers, photographers, and filmmakers. Blume is a gifted journalist who sits back and lets her subjects describe themselves; in this way she evokes some marvelous responses from, for instance, Marguerite Duras, who says, in inimitably French fashion: ``I have a certain idea of myself. One can call it pretentious, I don't care. It's what I think.'' Ronald Searle's whimsical drawings, interspersed throughout, are a perfect complement to Blume's observations. Francophile seeks affair, for short or long-term? This book meets all requirements.

Jane Kramer European correspondent, The New Yorker Mary Blume writes like an angel and thinks like a devil -- which the French will tell you is the hallmark of a civilized mind. Reading Blume, I like to imagine Montaigne or Montesquieu curled up somewhere with the same story and a glass of, say, Diamond Creek cabernet, savoring both, trusting both, enchanted to discover that the new world of their dark and most exotic fantasies had finally produced such remarkably kindred clarity and style. Blume is the one American writing in Paris who comes anywhere close to the great essayist tradition that once defined the culture but that most native Parisians have in fact lost -- one that proceeds from wit, wisdom, erudition, and above all from an understanding that the deepest ironies are gentle, and amount to an embrace that includes us all, in our folly, faults, and poignant, blundering affectation.

"America and France have always had a special relationship. In fact, it would not be an exaggeration to say that the two have enjoyed a love affair of sorts, with all the love/hate dynamics that suggests. From Benjamin Franklin charming Louis XVI to Jackie Kennedy enchanting Charles de Gaulle, the two peoples have fascinated and repelled each other. Mary Blume has cultivated her own love affair with this often inscrutable land - France."--BOOK JACKET. "Quintessentially American, she has managed that fine trick of not assimilating, and yet coming to know, in the fullest sense, the place and the people in all their often sublime and sometimes ridiculous complexity. In the pieces themselves, whether she turns her penetrating lens on Frenchmen or their money or their socks, whether a bearded lady or simone de Beauvoir, street performers or members of the Academie Francaise, whether the newest chic potato or the eternally chic St. Germain de Pres, whether the events of May '68 or the last presidential elections, she sees what would pass unseen - were she not there to notice it."

                            --BOOK JACKET.

Mary Blume is a columnist at the International Herald Tribune and the author of Cte d'Azur: Inventing the French Riviera.

length: (cm)21.4          width:(cm) 13.7

《法蘭西情事:巴黎脈搏 1965-1998》(平裝) 一部橫跨三十餘載的時代畫捲,一次對巴黎靈魂深處的探索。 這是一部精心編織的史詩,它捕捉瞭巴黎這座永恒之城在二十世紀後半葉——從改革浪潮湧動的 1965 年到迎接新韆年曙光降臨的 1998 年——經曆的深刻變革與不朽魅力。作者以其敏銳的洞察力和細膩的筆觸,將我們帶入一個充滿活力、藝術氣息與政治風雲的時代,探尋巴黎如何在曆史的洪流中保持其獨特的韻味,又如何不斷煥發新生。 本書並非僅僅是一部曆史紀錄,更是一場沉浸式的感官體驗。它如同一個全景鏡頭,緩緩掃過巴黎的大街小巷,從香榭麗捨大街的繁華喧囂,到濛馬特高地的藝術氣息,再到左岸咖啡館裏思想的碰撞。每一頁都仿佛是流動的畫麵,讓我們能聽見街頭巷尾的低語,聞到麵包房飄齣的香氣,感受到塞納河畔拂過的微風,觸摸到古老建築斑駁的牆壁。 時代的脈搏:從“美好年代”的餘韻到現代化的浪潮 1965 年,法國正沉浸在戴高樂時代的餘暉中,社會秩序穩定,經濟蓬勃發展,巴黎作為國際舞颱的中心,依然散發著“美好年代”的浪漫氣息。然而,暗流湧動,學生運動的種子已經悄然萌芽。作者敏銳地捕捉到這一時期微妙的社會情緒,描繪瞭傳統與革新之間的張力。我們得以窺見當時巴黎人的生活圖景:穿著優雅的女士們在精品店裏挑選最新款式的服裝,男士們在咖啡館裏談論著政治與哲學,年輕一代則開始質疑既有的權威,渴望著自由與改變。 接下來的幾十年,巴黎經曆瞭翻天覆地的變化。1968 年的五月風暴,如同一場突如其來的暴雨,席捲瞭整個城市,也席捲瞭整個法國。本書將深入剖析這場具有劃時代意義的社會運動,不僅僅是街頭抗議的畫麵,更重要的是它對法國社會、文化、教育以及思想觀念産生的深遠影響。作者通過生動的敘事,讓我們感受到那個充滿激情、理想主義與激進變革的年代,年輕人的呐喊如何改變瞭曆史的走嚮,以及這些改變如何被融入巴黎的 DNA 中。 進入 70 年代和 80 年代,巴黎在經曆瞭動蕩之後,開始尋求新的發展方嚮。經濟全球化和科技進步的浪潮也拍打著這座古老的城市。本書將展現巴黎如何在保持其曆史傳承的同時,擁抱現代化。現代建築如蓬皮杜藝術中心、奧賽博物館的崛起,象徵著巴黎在藝術與文化領域不斷創新的精神。同時,城市規劃的調整,交通係統的升級,也改變著巴黎人的日常生活方式。作者會描繪齣新的城市景觀,新的生活節奏,以及在快速變化的世界中,巴黎人如何適應並繼續展現其獨特的魅力。 到瞭 90 年代,巴黎已經成為一個更加多元化、國際化的都市。柏林牆的倒塌,歐洲一體化的進程,以及全球化浪潮的進一步深化,都給巴黎帶來瞭新的機遇和挑戰。本書將探討巴黎如何在全球化的背景下,保持其文化獨特性,又如何吸引來自世界各地的人纔和創意。韆禧年前夕的巴黎,既有對未來的憧憬,也有對過去的迴顧,在曆史與現代的交匯點上,散發著復雜而迷人的光芒。 文化的熔爐:藝術、時尚、文學與生活的交織 《法蘭西情事:巴黎脈搏 1965-1998》不僅僅關注宏大的曆史事件,更緻力於展現巴黎作為世界文化之都的獨特魅力。藝術在這裏是空氣,是呼吸,是生命本身。作者將帶領讀者走進那些曾經孕育齣無數藝術傑作的畫室、音樂廳和劇院。從印象派到後印象派,從新浪潮電影到先鋒戲劇,巴黎始終是藝術創新的中心。我們將瞭解到那些影響瞭世界藝術史的大師們的創作軌跡,以及他們在巴黎這座城市留下的深刻印記。 時尚是巴黎的另一張閃亮名片。本書將深入探討從 60 年代至今,巴黎時尚界所經曆的變革與革新。從迪奧的優雅,到聖羅蘭的摩登,再到川久保玲、山本耀司等國際設計師的到來,巴黎始終引領著全球時尚潮流。作者將描繪齣那些標誌性的時尚瞬間,那些改變瞭人們著裝觀念的服裝,以及那些在巴黎街頭熠熠生輝的設計師們。這不僅僅是關於服裝,更是關於一種生活態度,一種對美的極緻追求。 文學的傳統在巴黎深深紮根。左岸咖啡館,曾經是薩特、波伏娃等思想傢們激辯的場所,也是無數作傢們汲取靈感的源泉。本書將讓我們感受到巴黎這座城市對文學創作的滋養,以及那些在巴黎誕生或被巴黎所啓發的文學作品。從存在主義的思潮,到後現代的探索,巴黎始終是思想與文字交鋒的舞颱。我們會跟隨作者的腳步,走進那些承載著文學記憶的街區,想象那些偉大的靈魂曾在此處漫步、思考、創作。 本書還將觸及巴黎人的日常生活。那些隱藏在巷弄裏的餐館,飄散著迷人香氣的麵包房,充滿生活氣息的市場,以及人們在街頭咖啡館裏悠閑的時光,都是構成巴黎生活不可或缺的部分。作者會用生動的筆觸描繪齣巴黎人在不同年代的生活方式,他們的社交禮儀,他們的傢庭觀念,他們的休閑娛樂,以及他們在日常生活中的點滴情感。這讓我們得以從更微觀的層麵,理解巴黎這座城市的靈魂。 時代的變遷與不變的巴黎精神 在本書描繪的三十餘載時光裏,巴黎經曆瞭許多重大事件:政治動蕩、經濟起伏、社會變革。然而,巴黎的精神卻似乎總能以某種方式得以延續。本書將探尋這種“巴黎精神”的內涵:它是一種對生活的熱愛,一種對美的追求,一種對自由的嚮往,一種對曆史的尊重,以及一種永不停歇的創新能力。 從 60 年代的青春活力,到 80 年代的文化復興,再到 90 年代的國際視野,巴黎這座城市總能在時代浪潮的衝擊下,找到屬於自己的獨特節奏。它既能擁抱前沿的藝術與設計,又能守護古老的傳統與建築;它既能容納多元的文化與思想,又能保持其獨特的法蘭西氣質。 《法蘭西情事:巴黎脈搏 1965-1998》是一本獻給所有熱愛巴黎的人的書。它不僅僅是一部曆史的記錄,更是一次情感的共鳴。通過閱讀本書,你會仿佛置身於那個時代的巴黎,親身感受它的呼吸,它的脈搏,它的喜怒哀樂。它會讓你更加深刻地理解這座城市為何如此迷人,為何能成為無數人心中的夢想之地。 這不僅僅是關於巴黎的故事,更是關於一個時代的故事,一個關於變革、關於文化、關於生命力的故事。本書以其深刻的洞察力、豐富的細節和引人入勝的敘事,將帶你踏上一段難忘的巴黎之旅,讓你在文字中,重溫或初識一個屬於 1965 年至 1998 年的,充滿魅力的巴黎。

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這部作品的魅力,很大程度上源於它那種不事張揚的真實感。它沒有刻意去美化那個年代的“浪漫”,而是坦誠地展示瞭光鮮背後的艱辛、理想主義的幻滅以及人性的幽微之處。我欣賞作者敢於觸碰那些“不完美”的角落,比如名利場的虛僞,或者革命激情退卻後的迷茫。這種誠實,反而賦予瞭整部作品一種更持久的力量。它讓你思考,在曆史的大轉摺點上,個體如何堅守自我,如何定義所謂的“成功”或“幸福”。書中關於友誼和背叛的描寫尤其觸動我,它們是如此的復雜和灰色,沒有絕對的好人或壞人,隻有在特定環境下做齣選擇的凡人。每一次閱讀高潮,都伴隨著一種對人性的深刻洞察,這讓這本書的價值遠遠超齣瞭單純的故事敘述。它提供瞭一個絕佳的參照係,讓我們得以審視自己身處的時代。

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這本書的敘事視角非常獨特,它不是那種高高在上的全知視角,更像是一個深入到骨髓的觀察者,帶著一種既疏離又熱愛的復雜情感在審視著一切。作者仿佛是那個時代的一個隱形人,記錄下瞭那些最真實、最不加修飾的瞬間。我尤其注意到瞭他對城市聲音景觀的描繪,這常常是其他作品忽略的細節。是老式雪鐵龍汽車的引擎聲,還是露天市場裏討價還價的喧囂,甚至是深夜酒吧裏泄露齣的薩剋斯風鏇律,這些元素共同構建瞭一個無比立體的巴黎聲景。這種對環境的深度沉浸,使得書中的場景不再是簡單的背景,而成瞭推動情節發展的關鍵力量。讀到一些情節時,我甚至會不自覺地屏住呼吸,生怕驚擾瞭那個被作者小心翼翼保存下來的瞬間。這是一種非常高級的文學技巧,讓讀者從被動的接受者,變成瞭主動的參與者。

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老實說,我一開始是抱著試一試的心態開始讀的,畢竟涉及跨越三十年的時間綫,很容易寫得鬆散。但令我驚喜的是,作者對敘事節奏的把控堪稱大師級彆。故事綫索交織得錯落有緻,既有宏大曆史背景的鋪陳,又不乏小人物命運的細膩刻畫。每一次時間跳躍,都處理得如同電影鏡頭平滑地切換,既保證瞭閱讀的連貫性,又凸顯瞭不同時間段特有的時代烙印。比如,他如何巧妙地將七十年代的社會動蕩融入到主角的個人選擇中,處理得既自然又富有張力,絕非生硬的“背景闆”式敘事。我尤其欣賞那種內在的張力,人物間的對話充滿瞭潛颱詞,你得自己去挖掘那些沒有明說齣來的情感暗流。這需要讀者投入相當的專注力,但迴報也是巨大的。讀完之後,你會覺得自己的心智也跟著故事中的人物一起成長瞭,那種滿足感是很多快餐式閱讀無法比擬的。

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這本書真是讓我著迷,那種沉浸式的體驗,仿佛我真的穿越迴瞭上世紀六十年代的巴黎。從翻開扉頁的那一刻起,作者細膩的筆觸就將我帶入瞭一個充滿香頌、咖啡館煙霧和街頭藝術的迷人世界。我尤其喜歡他對那個時代文化氛圍的捕捉,那種介於戰後復蘇的激情與現代主義思潮湧動的復雜情緒,被他描繪得淋灕盡緻。書中的人物塑造極其成功,每一個角色都鮮活得仿佛隨時會從紙麵上走下來,帶著他們各自的秘密和對生活的熱望。我仿佛能聞到塞納河畔清晨薄霧的味道,聽到協和廣場上匆忙的腳步聲。那種對細節的執著,對曆史場景的精準復現,讓人不得不佩服作者深厚的功底。這本書不僅僅是一部小說,更像是一部私人化的巴黎編年史,記錄瞭城市在變遷中的靈魂。讀完之後,我感覺自己的精神仿佛完成瞭一次長途旅行,帶著一身巴黎特有的慵懶與智慧,久久不能平復。這絕對是那種值得反復品味,每次都能發現新亮點的佳作。

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如果用一個詞來形容這本書給我的感覺,那就是“韻味悠長”。它不是那種讀完就扔的暢銷書,它的文字裏沉澱著時間的重量,需要你放慢腳步去品味。作者的詞匯選擇極其考究,很多地方的句子結構和措辭,帶著一種古典的優雅,但又巧妙地融入瞭那個時代特有的那種先鋒精神。我甚至發現自己會時不時地停下來,迴味某一句描述,感嘆作者是如何將一個復雜的意象用如此精煉的語言錶達齣來的。這種閱讀體驗,更像是與一位學識淵博的朋友在進行一場深入的午後交談,他引經據典,娓娓道來,讓你在不知不覺中,對生活和曆史有瞭更深一層的理解。它成功地在曆史的厚重感和個人情感的輕盈之間找到瞭一個完美的平衡點,讓人在感到時代洪流衝擊力的同時,也為個體命運的韌性而動容。

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