Mary Blume brings her insight, humor, and unique perspective to bear on the French--their leaders, their cars, their museums, and more--in this collection of 66 essays from her "International Herald Tribune" columns over the past 33 years. 11 line drawings. 4 photos.
Even the most dedicated expat rarely manages to completely fit into an adopted foreign culture. It's precisely this quality that allows American Mary Blume to so thoughtfully observe and record Paris, the city that's served as her home for over three decades, though its ways may still mystify her. In A French Affair--a collection of essays published in the International Herald Tribune--the columnist deftly captures the quirks and changes that are visible only to those who live in France, though they may be most interesting to those who don't.
In these commentaries--ranging from the opening of invention conventions to the mire of bureaucracy that accompanies the naming of a street (which may only be named after dead people, preferably deceased for at least 15 years)--Blume unveils the French quest for perfection in a world that's perfectly imperfect because of French design, and how the logic of Descartes's descendents--regarding such points as grammar--is sometimes extreme to the point of being irrational. She captures trends, from the fashionable la ratte potato to the metric system. She records notable moments---the death of a designer, the opening of a charm school for men--and notable people, such as Renoir's jet-setting son and Simone de Beauvoir. Of course, this being a book about France, Blume occasionally delves into food, be it the inner workings of a soup kitchen or the launching of cooking classes taught by royalty. With these witty and insightful short snippets, Blume provides small, crystal-clear windows into true French life--a rare accomplishment from an expatriate or a native.
--Melissa Rossi
Blume, an International Herald Tribune columnist, lived in Paris for more than three decades, during which these columns were written. In total, these snippets of life in Paris present the city in all its complexity. Her portrayals bring to mind Sanche de Gramont, who in his classic The French (1969) forever brush-stroked Parisians in a grating cultural study. Blume, though, is a more concise de Gramont (succinctness, of course, is forced upon her by the discipline of her craft) and also a more sympathetic one. Her focus rests on such items as the first Parisian charm school for boys, the last old-time soup kitchen in Paris (when one customer was offered a Gauloise cigarette, which he turned down, saying he only smoked Marlboros!), or Mouna, an "acrobat of ideas" who is trying to turn the Luxembourg Gardens into another Hyde Park Speaker's Corner. These and 58 other essays and reviews offer sweeping insights from both Blume's outsider status as an American and her insider status as a three-decades resident. Illustrated with witty and stylish cartoons by Ronald Searle.
Allen Weakland
Blume has lived in France for over three decades. Here is a collection of 61 of her International Herald Tribune columns, which includes commentary on French social and cultural life and profiles of writers and film directors. She describes, among other things, a museum built in honor of the bearded lady of Thaon, Clementine Delait; a street still waiting to be named; and an uprising led by the regulars of a restaurant who do not want things to change under the new managementAall of which read like absurdist comedy. Illustrations by Ronald Searle enhance the irreverent and perceptive text. These essays give us an insider's view of things quintessentially French, but a collection of columns, by nature, tends to be dated. Not an essential purchase.
ARavi Shenoy, Hinsdale P.L., IL
A collection of essays on life in France, by an American who's lived there since 1965. Everyone who's ever been there, as well as some who haven't, has an opinion to offer about France. If one goes by the number of books published about France in the United States, Americans, in particular, seem fascinated with the French way of life. Perhaps it's the sophistication of the French, their seemingly effortless sense of style. Maybe it's the food, or the wine, or the language, or the art. Or maybe, as Mary Blume so aptly demonstrates in the title of her book, a visit to France is like a love affair, remembered accordinglywith regret, with affection, with passion, frustration, or disgust. The essays in this collection were written over the course of Blume's thirty years as a columnist at the International Herald Tribune, and offer a welcome perspectivethat of an American who, while intimately familiar with France (and in particular with Paris), remains enough of an outsider to comment clearly and honestly on what she sees. The book is assembled in three sections. It opens with ``Paris France,'' which includes diverse commentary on the people, places, and customs of the city; continues with ``Rites and Rules,'' which illustrates some of the country's idiosyncrasies; then concludes with ``Words and Images,'' in which the author expands her geographical area of reference in interviews with some of Europe's most celebrated artists, writers, photographers, and filmmakers. Blume is a gifted journalist who sits back and lets her subjects describe themselves; in this way she evokes some marvelous responses from, for instance, Marguerite Duras, who says, in inimitably French fashion: ``I have a certain idea of myself. One can call it pretentious, I don't care. It's what I think.'' Ronald Searle's whimsical drawings, interspersed throughout, are a perfect complement to Blume's observations. Francophile seeks affair, for short or long-term? This book meets all requirements.
Jane Kramer European correspondent, The New Yorker Mary Blume writes like an angel and thinks like a devil -- which the French will tell you is the hallmark of a civilized mind. Reading Blume, I like to imagine Montaigne or Montesquieu curled up somewhere with the same story and a glass of, say, Diamond Creek cabernet, savoring both, trusting both, enchanted to discover that the new world of their dark and most exotic fantasies had finally produced such remarkably kindred clarity and style. Blume is the one American writing in Paris who comes anywhere close to the great essayist tradition that once defined the culture but that most native Parisians have in fact lost -- one that proceeds from wit, wisdom, erudition, and above all from an understanding that the deepest ironies are gentle, and amount to an embrace that includes us all, in our folly, faults, and poignant, blundering affectation.
"America and France have always had a special relationship. In fact, it would not be an exaggeration to say that the two have enjoyed a love affair of sorts, with all the love/hate dynamics that suggests. From Benjamin Franklin charming Louis XVI to Jackie Kennedy enchanting Charles de Gaulle, the two peoples have fascinated and repelled each other. Mary Blume has cultivated her own love affair with this often inscrutable land - France."--BOOK JACKET. "Quintessentially American, she has managed that fine trick of not assimilating, and yet coming to know, in the fullest sense, the place and the people in all their often sublime and sometimes ridiculous complexity. In the pieces themselves, whether she turns her penetrating lens on Frenchmen or their money or their socks, whether a bearded lady or simone de Beauvoir, street performers or members of the Academie Francaise, whether the newest chic potato or the eternally chic St. Germain de Pres, whether the events of May '68 or the last presidential elections, she sees what would pass unseen - were she not there to notice it."
--BOOK JACKET.
Mary Blume is a columnist at the International Herald Tribune and the author of Cte d'Azur: Inventing the French Riviera.
length: (cm)21.4 width:(cm) 13.7
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這部作品的魅力,很大程度上源於它那種不事張揚的真實感。它沒有刻意去美化那個年代的“浪漫”,而是坦誠地展示瞭光鮮背後的艱辛、理想主義的幻滅以及人性的幽微之處。我欣賞作者敢於觸碰那些“不完美”的角落,比如名利場的虛僞,或者革命激情退卻後的迷茫。這種誠實,反而賦予瞭整部作品一種更持久的力量。它讓你思考,在曆史的大轉摺點上,個體如何堅守自我,如何定義所謂的“成功”或“幸福”。書中關於友誼和背叛的描寫尤其觸動我,它們是如此的復雜和灰色,沒有絕對的好人或壞人,隻有在特定環境下做齣選擇的凡人。每一次閱讀高潮,都伴隨著一種對人性的深刻洞察,這讓這本書的價值遠遠超齣瞭單純的故事敘述。它提供瞭一個絕佳的參照係,讓我們得以審視自己身處的時代。
评分這本書的敘事視角非常獨特,它不是那種高高在上的全知視角,更像是一個深入到骨髓的觀察者,帶著一種既疏離又熱愛的復雜情感在審視著一切。作者仿佛是那個時代的一個隱形人,記錄下瞭那些最真實、最不加修飾的瞬間。我尤其注意到瞭他對城市聲音景觀的描繪,這常常是其他作品忽略的細節。是老式雪鐵龍汽車的引擎聲,還是露天市場裏討價還價的喧囂,甚至是深夜酒吧裏泄露齣的薩剋斯風鏇律,這些元素共同構建瞭一個無比立體的巴黎聲景。這種對環境的深度沉浸,使得書中的場景不再是簡單的背景,而成瞭推動情節發展的關鍵力量。讀到一些情節時,我甚至會不自覺地屏住呼吸,生怕驚擾瞭那個被作者小心翼翼保存下來的瞬間。這是一種非常高級的文學技巧,讓讀者從被動的接受者,變成瞭主動的參與者。
评分老實說,我一開始是抱著試一試的心態開始讀的,畢竟涉及跨越三十年的時間綫,很容易寫得鬆散。但令我驚喜的是,作者對敘事節奏的把控堪稱大師級彆。故事綫索交織得錯落有緻,既有宏大曆史背景的鋪陳,又不乏小人物命運的細膩刻畫。每一次時間跳躍,都處理得如同電影鏡頭平滑地切換,既保證瞭閱讀的連貫性,又凸顯瞭不同時間段特有的時代烙印。比如,他如何巧妙地將七十年代的社會動蕩融入到主角的個人選擇中,處理得既自然又富有張力,絕非生硬的“背景闆”式敘事。我尤其欣賞那種內在的張力,人物間的對話充滿瞭潛颱詞,你得自己去挖掘那些沒有明說齣來的情感暗流。這需要讀者投入相當的專注力,但迴報也是巨大的。讀完之後,你會覺得自己的心智也跟著故事中的人物一起成長瞭,那種滿足感是很多快餐式閱讀無法比擬的。
评分這本書真是讓我著迷,那種沉浸式的體驗,仿佛我真的穿越迴瞭上世紀六十年代的巴黎。從翻開扉頁的那一刻起,作者細膩的筆觸就將我帶入瞭一個充滿香頌、咖啡館煙霧和街頭藝術的迷人世界。我尤其喜歡他對那個時代文化氛圍的捕捉,那種介於戰後復蘇的激情與現代主義思潮湧動的復雜情緒,被他描繪得淋灕盡緻。書中的人物塑造極其成功,每一個角色都鮮活得仿佛隨時會從紙麵上走下來,帶著他們各自的秘密和對生活的熱望。我仿佛能聞到塞納河畔清晨薄霧的味道,聽到協和廣場上匆忙的腳步聲。那種對細節的執著,對曆史場景的精準復現,讓人不得不佩服作者深厚的功底。這本書不僅僅是一部小說,更像是一部私人化的巴黎編年史,記錄瞭城市在變遷中的靈魂。讀完之後,我感覺自己的精神仿佛完成瞭一次長途旅行,帶著一身巴黎特有的慵懶與智慧,久久不能平復。這絕對是那種值得反復品味,每次都能發現新亮點的佳作。
评分如果用一個詞來形容這本書給我的感覺,那就是“韻味悠長”。它不是那種讀完就扔的暢銷書,它的文字裏沉澱著時間的重量,需要你放慢腳步去品味。作者的詞匯選擇極其考究,很多地方的句子結構和措辭,帶著一種古典的優雅,但又巧妙地融入瞭那個時代特有的那種先鋒精神。我甚至發現自己會時不時地停下來,迴味某一句描述,感嘆作者是如何將一個復雜的意象用如此精煉的語言錶達齣來的。這種閱讀體驗,更像是與一位學識淵博的朋友在進行一場深入的午後交談,他引經據典,娓娓道來,讓你在不知不覺中,對生活和曆史有瞭更深一層的理解。它成功地在曆史的厚重感和個人情感的輕盈之間找到瞭一個完美的平衡點,讓人在感到時代洪流衝擊力的同時,也為個體命運的韌性而動容。
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