Edward Hopper (1882-1967) is considered the first significant American painter in 20th-century art. After decades of patient work, Hopper enjoyed a success and popularity that since the 1950s has continually grown. In canvas after canvas he painted the loneliness of big-city people. Many of Hopper's pictures represent views of streets and roads, rooftops, and abandoned houses, depicted in a brilliant light that strangely belies the melancholy mood of the scenes. Hopper's paintings are marked by striking juxtapositions of colour, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment sometimes lends his pictures a mood of eerie disquiet. On the other hand, Hopper's renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimistic side of his character.
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喜欢Hooper 他的《夜游人》是我的最爱，就是封面
评分喜欢Hopper的同学，可以读这本Taschen的小册子。书里的文字算是一篇长文。。。插了许多的图，覆盖了主要的霍珀绘画人生和主题。对于建筑师而言，霍珀算是另一个很容易让建筑师着迷的画家了：他对捕捉日常场景，很有技巧和心得。用光已经不用说了，且说他画中人物的状态。若是有目光，很少做古典绘画的统一。借用顾城的诗说，“你‘根本不’看我，你总是在看云；你不看我时远，你看云时近”。对设计师而言，假如建筑表面静默古典，却彼此不凝视，如何？还有，那些有关内外关系的人物，处在临界状态，奇妙。
评分the loneliness of big-city people, realistic, brutal. Often enough, the Abstract Expressionism of Jackson Pollock and the New Realism of Edward Hopper are interpreted as the twin poles "of American individualism and artistic integrity!'' //to read: Eric Fischl, Andrew Wyeth, Charles E. Burchfield // perhaps you might think of Peter Handke
评分喜欢Hopper的同学，可以读这本Taschen的小册子。书里的文字算是一篇长文。。。插了许多的图，覆盖了主要的霍珀绘画人生和主题。对于建筑师而言，霍珀算是另一个很容易让建筑师着迷的画家了：他对捕捉日常场景，很有技巧和心得。用光已经不用说了，且说他画中人物的状态。若是有目光，很少做古典绘画的统一。借用顾城的诗说，“你‘根本不’看我，你总是在看云；你不看我时远，你看云时近”。对设计师而言，假如建筑表面静默古典，却彼此不凝视，如何？还有，那些有关内外关系的人物，处在临界状态，奇妙。
评分喜欢Hopper的同学，可以读这本Taschen的小册子。书里的文字算是一篇长文。。。插了许多的图，覆盖了主要的霍珀绘画人生和主题。对于建筑师而言，霍珀算是另一个很容易让建筑师着迷的画家了：他对捕捉日常场景，很有技巧和心得。用光已经不用说了，且说他画中人物的状态。若是有目光，很少做古典绘画的统一。借用顾城的诗说，“你‘根本不’看我，你总是在看云；你不看我时远，你看云时近”。对设计师而言，假如建筑表面静默古典，却彼此不凝视，如何？还有，那些有关内外关系的人物，处在临界状态，奇妙。
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