David Mitchell was born in Southport, Merseyside, in England, raised in Malvern, Worcestershire, and educated at the University of Kent, studying for a degree in English and American Literature followed by an M.A. in Comparative Literature. He lived for a year in Sicily, then moved to Hiroshima, Japan, where he taught English to technical students for eight years, before returning to England. After another stint in Japan, he currently lives in Ireland with his wife Keiko and their two children. In an essay for Random House, Mitchell wrote: "I knew I wanted to be a writer since I was a kid, but until I came to Japan to live in 1994 I was too easily distracted to do much about it. I would probably have become a writer wherever I lived, but would I have become the same writer if I'd spent the last 6 years in London, or Cape Town, or Moose Jaw, on an oil rig or in the circus? This is my answer to myself." Mitchell's first novel, Ghostwritten (1999), moves around the globe, from Okinawa to Mongolia to pre-Millennial New York City, as nine narrators tell stories that interlock and intersect. The novel won the John Llewellyn Rhys Prize (for best work of British literature written by an author under 35) and was shortlisted for the Guardian First Book Award. His two subsequent novels, number9dream (2001) and Cloud Atlas (2004), were both shortlisted for the Man Booker Prize. In 2003, he was selected as one of Granta’s Best of Young British Novelists. In 2007, Mitchell was listed among Time Magazine's 100 Most Influential People in The World. Mitchell's American editor at Random House is novelist David Ebershoff.
A postmodern visionary who is also a master of styles of genres, David Mitchell combines flat-out adventure, a Nabokovian lore of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .
Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
殊途同归--云图:一部伟大的作品 初看《云图》,先是被其结构和创作手法所吸引,这部书把精密和细致溶入宏大的故事背景中,给人以前所未有的震撼,作者用6种不同类型的手法来进行创作,展示了高度的自信和才能,但又并不是单纯的为了简单炫耀而如此,正如作者在书中常用一个...
评分《云图》的翻译策略和手段 《云图》的简体中译本自2010年初出版以来引起众多读者关注。之后,随着2012年夏作者大卫•米切尔的中国之旅,再加上2012年9月巨星云集的的电影版首映,本书更是吸引了无数眼球。 该书词汇丰富,语言风格多变,故事结构复杂,对读者和译者都是一个...
评分殊途同归--云图:一部伟大的作品 初看《云图》,先是被其结构和创作手法所吸引,这部书把精密和细致溶入宏大的故事背景中,给人以前所未有的震撼,作者用6种不同类型的手法来进行创作,展示了高度的自信和才能,但又并不是单纯的为了简单炫耀而如此,正如作者在书中常用一个...
评分读罢感觉全书就是讲三个字“反奴役”或者“反极权”或者“争自由”。听上去本书是老调重弹的主题,可实际上一点也不枯燥。作者似乎尝试用轮回转世的形式论述了六个平行世界的故事。 第一个故事,“南太平洋航行”,作者通过对传教士借传教之名行奴役之实的描写,直接对殖民...
评分(刊于2009年11月15日《上海书评》) 什么样的小说可以算得上“高难度”小说?试想一下,有这么一本长篇小说:它的时间跨度超过一千年,它的故事分成六个部分,分别发生于1850年、1931年、1975年、本世纪初、克隆人随处可见的明天以及人类大毁灭后的未来;每一部分的讲故...
带着中文版才看懂,古英语和编造的英语压力好大,小说的小说,这个构思很嚣张。
评分果然推荐里有三体!另,脱水处理随风飘荡还真有这回事,在动物性趣中结尾有提到,一种原核生物
评分没看完
评分丰富的语言想象力带来的阅读快感无可匹敌,让最后的长达几页的议论也没有说教感觉,为Valleysman和NeoSeoul创造的未来语言更是精彩;各个年代的故事向不同年代的不同文体的引用感非常微妙,对于稍有经验的英国文学读者都会带来亲切感 (Frobisher:"Said it was books I've come to sell." Cavendish: "Oh England! Too little acreage for too much history. In England, time grows inwards, like my toenails." Sonmi: "Why would a martyr refuse his judas?")
评分Literature課看的,但是太難了,看了戲,很好看。
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