From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.
Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.
Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.
Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.
His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.
His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.
In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".
文/赵客 1996年7月5日,人类历史上的第一只克隆动物——绵羊多莉诞生了,这只由乳腺细胞发育而来的小羊引起了全世界的瞩目,也引发了克隆人的幻想,一时间争议不断。绵羊的平均寿命在12年左右,然而多莉仅仅活了6年,就于2003年去世。科学家们找不到多莉早夭的原因,猜想细胞或...
评分只是因为姓氏的相同,村上春树与村上龙在日本文坛被称为“双村上”,但在中国读者心中村上春树的地位要高于村上龙很多。同样只是因为相似的背景,石黑一雄与拉什迪、奈保尔并称为“英国文坛移民三雄”,但石黑一雄的国际主义风格却完全看不出移民作家的痕迹。我一直觉得把...
评分文/赵客 1996年7月5日,人类历史上的第一只克隆动物——绵羊多莉诞生了,这只由乳腺细胞发育而来的小羊引起了全世界的瞩目,也引发了克隆人的幻想,一时间争议不断。绵羊的平均寿命在12年左右,然而多莉仅仅活了6年,就于2003年去世。科学家们找不到多莉早夭的原因,猜想细胞或...
评分 评分滿懷期待當自己合上這本書的時候會淚流滿面,而事實卻是被瘧的說不出話也哭不出來。之前忍不住去看預告的時候很沒出息地被一個鏡頭弄的鼻子發酸,眼睛全濕了。石黒一雄用他一貫很平淡的筆調一點點揭開真相,沒有一絲煽情。書中第一人稱的kathy回憶着自己的童年,朋友以及最後的愛,她講述地太過於平靜,好像那些事情根本就沒有那麼殘酷冰冷。這本書後勁很足,開始時會覺得有些無聊瑣碎但讀完后會忍不住再翻到前面看看,腦子裡面想的全是他們的事。看得胸悶到極點但是發泄不出來,他們的人生是制定好的,必須這麼走下去,沒有任何改變的餘地。得知真相后的他們沒有反抗也沒有逃離而是默默地接受,儘管是如此不甘心; 最後的道別平淡地讓人心碎。They won't see you as a human even you have soul
评分都那么喜欢剧和电影了,没想到还会更喜欢原作。不落言筌,最是伤人不见血…。另外感慨森下佳子这位“改编家”…变换视角的重塑力,让原作党也不得不佩服一二…将Kathy拆分成恭子和真实,极端隐忍与彻底顽抗,才得以完成两处高潮;坏处是性格缺陷太过赤裸,难免牵强;原著三人情感脉络就相当流畅。Why Hailsham at all?既然已有克隆人,又如何会有答案。
评分读的我很痛苦
评分knotted tension and buried anguish, a natural flow of poignancy.
评分一直偏爱移民作家,他们像是石头上生出的花。生命的姿态往往在毁灭与拯救之间混淆不清。
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