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Ugly Feelings

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Sianne Ngai 作者
Harvard University Press
译者
2005-02-28 出版日期
368 页数
USD 29.95 价格
Hardcover
丛书系列
9780674015364 图书编码

Ugly Feelings 在线电子书 图书标签: 情感理论  情感  SianneNgai  affect  现代文学  海外中国研究  文学理论  文化研究   


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发表于2024-12-29


Ugly Feelings 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Ugly Feelings 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Ugly Feelings 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Ugly Feelings 在线电子书 用户评价

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blocked and suspended action gives rise to these feelings /politically ambiguous / in the context of late modernity

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blocked and suspended action gives rise to these feelings /politically ambiguous / in the context of late modernity

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blocked and suspended action gives rise to these feelings /politically ambiguous / in the context of late modernity

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blocked and suspended action gives rise to these feelings /politically ambiguous / in the context of late modernity

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Ugly Feelings 在线电子书 图书描述

Envy, irritation, paranoia�in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called �animatedness,� and a paradoxical synthesis of shock and boredom called �stuplimity.� She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature�with a particular focus on those inflected by gender and race�but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.

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