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There was a time when I could recite most of the first page because there was no way of telling what kind of book I was reading other than quoting its own words.

A poetic mimesis not of the ordinary objects but of the perceptual process. Very playful. A series of interior monologues. Words don't arouse our sensations anymore. Words themselves become our sensations or vise versa. The content isn't necessarily important anymore; the meaning is the making process itself.

A poetic mimesis not of the ordinary objects but of the perceptual process. Very playful. A series of interior monologues. Words don't arouse our sensations anymore. Words themselves become our sensations or vise versa. The content isn't necessarily important anymore; the meaning is the making process itself.

psychedelic modernism & formalism par excellence，大概能代錶High Modernism的實驗精神，但Keene所說的“10-20年代的文學成就最終是屬於喬伊斯和普魯斯特而非斯坦因和路易阿拉貢的”也許不無道理，可能spectacular failure仍是最恰切的形容。和二十多年後FW做的事相似而不同，Stein沒有艾略特和喬伊斯的encylopedist野心，語言實驗主要關注語法，詞匯反而相當簡約。想讀Autobiography of ABT

psychedelic modernism & formalism par excellence，大概能代錶High Modernism的實驗精神，但Keene所說的“10-20年代的文學成就最終是屬於喬伊斯和普魯斯特而非斯坦因和路易阿拉貢的”也許不無道理，可能spectacular failure仍是最恰切的形容。和二十多年後FW做的事相似而不同，Stein沒有艾略特和喬伊斯的encylopedist野心，語言實驗主要關注語法，詞匯反而相當簡約。想讀Autobiography of ABT