薩克來(1811~1863)是英國維多利亞時期的一位重要小說家,在當時,和狄更斯合稱「小說雙傑」,兩人的代表作分別為《浮華世界》和《塊肉餘生錄》。1847年,《浮華世界》以連載方式問市,子標題為「一部沒有英雄的小說」。書中,神龍活現地凸顯出一位折衝於十九世紀社交界的名花,藉由她透露了滑鐵盧戰役前後英國中上階層社會腐敗、偽善以及敗德的情狀,深刻的表現出犀利的嘲諷與深透的厭世觀。除了描述溫馨的感情外,作者尤其擅長用戲謔活潑的筆法,諷刺人事,使書中的角色彩躍然紙上。
馬克思在評論薩克雷、狄更斯時曾說:「他們用逼真而動人的文筆,揭露出政治和社會上的真相;一切政治家、政論家、道德家所揭露的加在一起,還不如他們揭露的多。」《浮華世界》即為一明顯的例子。《浮華世界》為英國名小說家,人稱「小說天才」的薩克雷的傳世鉅著,在這本書中你將看到,投機發財而又破產的股票商,為了爭奪家產、親骨肉勾心鬥角的小貴族地主…更可看到一位出身寒微的女人為躋身上流社會而不擇手段的過程。一段平凡的故事在戲謔、幽默的筆觸下,發人省思。這本書清晰地反映出每個時代人類社會的景象,同時也暗示:名與利皆為浮雲,惟有擺脫它們,真心捨己為人,才能擁有暢快無比的歡樂。
The story opens at Miss Pinkerton's Academy for Young Ladies, where the principal protagonists Becky Sharp and Amelia Sedley have just completed their studies and are preparing to depart for Amelia's house in Russell Square. Becky is portrayed as a strong-willed and cunning young woman determined to make her way in society, and Amelia Sedley is a good natured though simple-minded young girl. However, by the end of the novel, the reader will realize that neither character is unblemished.
At Russell Square, Miss Sharp is introduced to Captain George Osborne and to Amelia's brother Joseph Sedley, a clumsy and vainglorious but rich civil-servant fresh from India. Becky entices him and hopes to marry him, though eventually fails as a result of warnings from Captain Osbourne and his own native shyness and embarrassment that Becky had witnessed his foolish behavior at Vauxhall.
With this Becky Sharp says farewell to Sedley's family and enters the service of the baronet Sir Pitt Crawley who has engaged her as a governess to his daughters. Her behaviour at Sir Pitt's house gains the favour of Sir Pitt, who after the premature death of his second wife, eventually proposes to her. Unfortunately for Becky (who would have gladly consented to becoming the next Lady Crawley) she is already secretly married to his son Rawdon Crawley.
Sir Pitt's half sister, the spinster Miss Crawley, is very rich having inherited her mother's fortune of £70,000. Where she will leave her great wealth is a source of constant conflict between the branches of the Crawley family who vie shamelessly for her affections; initially her favourite is Sir Pitt's younger son, Captain Rawdon Crawley. Miss Sharp elopes with him; but this mesalliance so enrages Miss Crawley, that she eventually disinherits her nephew in favour of his elder brother.
While Becky Sharp is rising in the world, Amelia's father goes bankrupt. Captain George Osborne, persuaded by his friend Dobbin, marries Amelia despite her poverty and his ambitious father's fierce objections. His father wishes him to marry Miss Schwartz, a sugar plantation heiress from the West Indies and a contemporary of Amelia's at Miss Pinkerton's.
When all these personal incidents are going on, the Napoleonic Wars have been gearing up, and George Osborne and William Dobbin are suddenly deployed to Brussels, but not before an encounter with Becky and Captain Crawley at Brighton. The holiday is interrupted with orders to march to Brussels. Already, the newly wedded Osborne is growing tired of Amelia, and he becomes increasingly attracted to Becky.
At a ball in Brussels (based on the Duchess of Richmond's ball the night before Waterloo), George gives Becky a note inviting her to run away with him. The morning after, he is sent to Waterloo and dies in the battle. Amelia bears him a posthumous son, who is also named George. With the death of Osborne, Dobbin, who is young George's godfather, gradually begins to express his love for the widowed Amelia, but she is too much in love with George's memory to return his affections. Saddened, he goes to India for many years.
Meanwhile, Becky continues her ascent first in post-war Paris and then in London where she is patronised by the great Marquess of Steyne who covertly subsidises her and introduces to London society. Her success is unstoppable despite her iniquitous origins and she eventually meets the Prince Regent himself.
At the summit of her success, Becky's unsuitable relationship with the rich and omnipotent Marquess of Steyne is discovered by Rawdon, who leaves his wife and through the offices of Lord Steyne is made Governor of Coventry Island to get him out of England. Mrs Crawley, having lost both husband and credibility, is warned by Steyne to quit England and she becomes a wanderer on the continent. Wherever she goes, she is stalked by the shadow of Lord Steyne. No sooner has she established herself in some respectable company then one of Steyne's men somehow finds her and spreads rumours of her disreputable history - destroying her.
As Amelia's adored son George grows up, his grandfather becomes fond of him and takes him from poor Amelia who knows the rich and bitter old man will give him a much better start in life materially than she or her family could ever manage. Meanwhile both Joseph Sedley and William Dobbin return to England. Dobbin professes his unchanged love to Amelia, but although Amelia is also affectionate to Dobbin, she tells him she cannot forget the memory of her dead husband.
While in England, Dobbin manages a reconciliation between Amelia and her father-in-law. The death of George's grandfather gives Amelia and young George a large fortune.
After the death of old Mr Osborne, Amelia, Joseph, George and Dobbin go on a trip to Germany, where they encounter the destitute Becky. Dobbin quarrels with Amelia, and finally realizes that he is wasting his love on a woman too shallow to return it.
However, Becky, in a moment of conscience, shows Amelia the note that George (Amelia's dead husband) had given her, asking her to run away with him. This breaks George's idealised image in Amelia's mind, thus eventually bringing Dobbin and Amelia together.
Becky resumes her seduction of Joseph Sedley and gains control over him. He eventually dies of a suspicious ailment after signing a portion of his money to Becky as life insurance. In the original illustrations, which were done by Thackeray, Becky is shown behind a curtain with a phial (presumably of poison) in her hand; the picture is labelled 'Becky's second appearance in the character of Clytemnestra.' (She had played Clytemnestra during charades at a party earlier in the book.) His death appears to have made her fortune.
By a twist of fate Rawdon Crawley dies weeks before his elder brother whose son has already died. Thus the baronetcy descends to Rawdon's son. Had he outlived his brother by even a day he would have become Sir Rawdon Crawley and Becky would have become Lady Crawley - the title she uses regardless in later life.
The reader is informed at the end that although Dobbin married Amelia, and although he always treated her with great kindness, he never fully regained the love that he had once had for her.
萨克雷(1811-1863),十九世纪英国著名小说家,《名利场》是他的代表作。
上一次在读显示2010年4月,时隔8年,再开炉灶,攻克了这本英文完整版。 故事两个女主角,一生起起伏伏,宛如两条抛物线,一条经过峰巅回到原点,一条跌入谷底重返往日。半生浮华半世空,一朝天子一朝臣。钱真是个好东西,无论你以前是贵族还是平民,是王权还是罪犯,只要窃得一...
评分I like the name of the novel Vanity Fair and the subtitle A Novel without a Hero. That’s the reason why I choose to read this one. In some ways, I feel like Thackeray was trying to encompass his century as a whole, not just the very specific...
评分萨克雷在十九世纪描绘了这幅浩浩荡荡的英国浮世绘,在这部没有英雄的小说里,只有名利,权势,金钱,还有为了追逐他们而丧失人性的众生相,小说的语言一贯继承了英国文学的幽默讽刺。小人物的命运被无情的投入到这个残酷及现实的名利场中,用现实主义文学的力度赤裸裸的...
评分爱米利亚是我论文的人物分析对象。为什么会选爱米利亚•赛特笠,而不是《名利场》中无论在样貌、口才、技能各个方面都更胜、更吸人眼球的利蓓加•夏泼呢? 因为爱米莉亚的性格实在是很有趣。《名利场》的作者萨克雷开篇就说了,这小姑娘“心地厚道,性格温柔可疼,为人又...
评分这部作品带给我的感受,可以用“回味无穷”来形容。我喜欢它不是那种一眼就能看穿的故事,而是需要读者在字里行间去慢慢咀嚼,去体会那些隐藏在表层之下的深意。作者的笔触非常老练,他能够用最简洁的语言,勾勒出最生动的场景,塑造出最鲜活的人物。我尤其赞赏作者对于人物内心活动的描绘,那些微妙的情绪变化,那些难以启齿的渴望,都被他精准地捕捉并呈现在读者面前。我发现,在阅读的过程中,我常常会不自觉地去代入角色,去思考他们为什么会做出那样的选择,去理解他们内心的挣扎。这种深度的代入感,让我觉得这本书不仅仅是在讲一个故事,更是在与我进行一场关于人生、关于情感的对话。我喜欢作者在叙事中穿插的那些富有哲理的思考,它们没有生硬的道理说教,而是自然而然地流淌在故事之中,让你在不经意间获得启发。这本书的结构也设计得十分巧妙,前后呼应,环环相扣,每一次阅读都会有新的发现。它让我重新审视了许多我曾经认为理所当然的事情,也让我对“浮华”有了更深刻的理解。
评分这本书的封面设计就足够吸引人了,是一种淡淡的复古绿,上面用一种略带潦草却又优雅的金色字体写着书名“浮华世界”。光是看到它,就让人产生一种想要一探究竟的冲动。我把它带回家后,迫不及待地拆开包装,那种纸张的触感,带着些微粗糙的纹理,以及油墨淡淡的香气,都让我感到一种久违的阅读的仪式感。翻开第一页,故事似乎就从一个迷蒙的雨天开始,没有宏大的叙事开端,也没有惊心动魄的情节铺垫,作者就像一位技艺精湛的画家,用细腻的笔触描绘着一个时代的缩影,一种生活的状态。我尤其喜欢作者对细节的刻画,比如某个角色手中摩挲的旧物件,或是窗外掠过的某种鸟儿的鸣叫,这些看似无关紧要的细节,却在字里行间悄然地构建起一个真实可感的时空,让你仿佛置身其中,能感受到那个时代的风,闻到空气中的气味,甚至听到背景中传来的模糊人声。这种沉浸式的阅读体验,是很多现代小说难以企及的。而且,作者的语言风格也非常独特,时而带着一种诗意的抒情,时而又回归到朴实无华的叙述,这种在不同语境下的切换,让文字本身就充满了生命力。读这本书,不仅仅是阅读一个故事,更像是在与作者进行一场心灵的对话,去感受他对于这个世界,对于人生,对于那些浮华背后的真实情感的洞察。
评分在我阅读过的众多书籍中,《浮华世界》给我留下的是一种独特的、难以言喻的体验。它不像那些情节跌宕起伏的商业小说,也没有那种一上来就给人强烈冲击的现实主义作品。相反,它像一条缓缓流淌的河流,表面平静,但河底却暗流涌动,承载着丰富而复杂的情感和思想。作者的文字,就像是一种慢镜头,他会拉长那些决定性的瞬间,让你充分感受其中的张力,也会在那些日常的片段中,发掘出不寻常的意义。我非常喜欢作者对人物内心世界的探索,他毫不避讳地展现了人性的复杂和矛盾,那些隐藏在光鲜外表下的脆弱和不安,那些在道德边缘的徘徊和挣扎,都描绘得入木三分。这本书让我有机会去反思,在追求所谓“浮华”的过程中,我们是否也失去了某些更宝贵的东西?作者没有给出明确的答案,但他通过故事,引导我们去思考这个问题。而且,书中的一些细节描写,比如某个角色对一件旧物的珍藏,或者一段不经意的倾诉,都充满了情感的力量,能够触动人心最柔软的部分。它不是一本能让你快速读完的书,而是一本需要你沉浸其中,细细品味的書,每一次阅读都会有新的感悟。
评分读完《浮华世界》,我脑海中回荡着许多零碎的画面,却又像被一条无形的线串联起来,形成了一个完整而生动的画卷。这本书最打动我的地方在于,它并没有塑造几个完美无瑕的英雄人物,也没有预设一个非黑即白的道德判断。作者笔下的人物,都是普通人,有着七情六欲,有着自己的优点和缺点,他们在时代的洪流中努力生存,也时常被命运所捉弄。我特别喜欢作者对人物心理的细腻刻画,那些隐藏在表情之下的焦虑、渴望、失落和喜悦,都被他捕捉得恰到好处。有时候,我甚至能感觉到,自己就是书中的某一个角色,体验着他们正在经历的困惑和挣扎。作者的叙事节奏也掌握得很好,不会让你感到枯燥乏味,也不会让你觉得太过急促。他在关键的节点上,总能适时地抛出一些悬念,让你忍不住想要继续读下去,去揭开层层迷雾。而且,作者对环境的描写也十分出色,无论是繁华都市的霓虹闪烁,还是小镇角落的宁静安详,都描绘得栩栩如生,让你仿佛身临其境。这本书给我带来的不仅仅是故事本身,更是一种对人性的理解,一种对生活的感悟,让我更加珍惜当下,也更加审慎地对待自己的人生选择。
评分我必须承认,这本书给我的第一印象是它的厚重感,不仅仅是纸张的物理厚度,更是它所承载的那种历史的厚度。从翻开书页的那一刻起,我就被一种强大的叙事力量所裹挟,作者显然花费了大量的心思去考证和构建那个时代的背景,无论是社会风貌、人际关系,还是人们的思维方式,都显得格外真实可信。故事中的人物塑造更是立体而鲜明,没有绝对的好人与坏人,每个人物都有着自己的挣扎、欲望和无可奈何。我尤其对其中一位主人公的成长历程印象深刻,他经历了人生的起起伏伏,在繁华与落寞之间徘徊,最终找到了属于自己的安身立命之处。作者并没有刻意去美化人物的经历,而是真实地展现了他们在时代洪流中的渺小与坚韧。那些看似微不足道的选择,却往往决定了他们一生的走向。我反复去思考,如果我处在他们的位置,又会做出怎样的决定?这种代入感让阅读的过程充满了思考和反刍。更让我欣赏的是,作者的文字功底非常扎实,句句精炼,没有一句废话,却能将复杂的情感和深邃的思想传达得淋漓尽致。他善于运用象征和隐喻,将一些抽象的概念具象化,让读者更容易理解和体会。这是一本需要静下心来慢慢品味的書,每一次阅读都会有新的发现和感悟,就像品一杯陈年的佳酿,越品越有味道。
评分刚拿到这本《浮华世界》的时候,就被它的书名深深吸引。它没有那种一听就让人热血沸腾的史诗感,也没有直白揭示某个具体事件的标签,反而带着一种淡淡的疏离感和哲思。我喜欢这种命名方式,它给予了读者足够的想象空间。在阅读过程中,我发现作者似乎并没有想去定义“浮华”究竟是什么,也没有试图去评判它的好坏。他只是静静地观察,然后用一种近乎白描的手法,将那个时代的种种现象、人物的内心世界,以及他们之间的复杂关系,一一呈现在读者面前。我特别喜欢作者对社会中那些“浮华”现象的描绘,它不是简单的批判,而是深入到现象背后,去探究驱动这些浮华的根本原因。有时候,我会觉得作者就像一位经验丰富的心理医生,在剖析着一群人的集体焦虑和渴望。人物之间的对话,常常看似无关痛痒,却暗藏玄机,每一个字都可能透露出角色的性格,或者推动情节的发展。我反复咀嚼那些对话,试图从中找出更深层次的含义。这本书并没有给我提供一个明确的答案,关于如何面对浮华,如何过好自己的人生。但它却提供了一个视角,一个观察和思考的框架,让我在合上书本后,依然久久不能平静,开始审视自己所处的环境,以及自己对“浮华”的理解。
评分自从拿起《浮华世界》这本书,我就被它所营造的独特氛围深深吸引。它不是那种一目了然的叙事,而是更像一个精心编织的网,将读者一点点地带入其中,去感受那个时代的人物命运和情感纠葛。我特别喜欢作者对环境的描绘,无论是阴雨绵绵的街角,还是灯火辉煌的酒楼,都被他描绘得有声有色,仿佛我真的置身于那个场景之中,能够感受到空气的湿度,听到远处的喧嚣。人物的刻画更是立体而饱满,他们不是简单的符号,而是有血有肉的个体,有着自己的思想、欲望和困境。我常常在阅读过程中,不自觉地去揣摩角色的内心,去理解他们行为背后的动机。作者的语言风格也非常吸引人,既有诗意的抒情,又不失现实的力度,能够在看似平淡的叙述中,蕴含着深刻的情感和哲理。这本书最让我印象深刻的是,它并没有刻意去强调某个特定的主题,而是通过对生活片段的细致描摹,让读者自己去领悟其中的意义。它让我开始思考,在追求所谓“浮华”的过程中,我们是否也迷失了真正的自我?这本书给我带来的,不仅仅是一个故事,更是一种对人生的思考和对情感的共鸣。
评分《浮华世界》这本书,就像是我在阅读旅途中偶然发现的一颗璀璨的珍珠,虽然不张扬,却散发着迷人的光芒。从封面设计到文字的排版,都透着一股沉静而优雅的气息,让人忍不住想一探究竟。在翻开书页的那一刻,我就被作者的叙事功力所折服。他没有宏大的场面,没有轰轰烈烈的事件,而是用一种温和而细腻的笔触,描绘着普通人的生活,以及在那个时代背景下,他们所经历的种种情感波澜。我尤其欣赏作者对人物内心的挖掘,那些隐藏在日常对话之下的微妙情感,那些不经意间的眼神交流,都被他捕捉得恰到好处,让我感觉自己仿佛是故事的亲历者,能够深切地感受到角色的喜怒哀乐。书中的一些细节描写,比如某个角色对一首老歌的沉迷,或者一段对往事的回忆,都充满了情感的力量,能够轻易地触动人心。作者的语言风格也非常独特,时而如春风拂面,时而又带着一丝淡淡的忧伤,在文字的跳跃之间,传递着深刻的人生感悟。这本书并没有提供一个明确的“浮华”定义,但它却让我们得以窥见,在那个时代的洪流中,人们是如何在繁华与失落之间,寻找自己的存在意义。
评分《浮华世界》这本书,给我的感觉就像是漫步在一个古老的城市里,每一个转角都可能遇见惊喜,每一个细节都值得细细品味。作者的文字功底非常扎实,他能够用最简洁的语言,描绘出最生动的场景,塑造出最鲜活的人物。我特别喜欢作者对人物内心世界的刻画,那些隐藏在表情之下的焦虑、渴望、失落和喜悦,都被他捕捉得恰到好处,让我觉得,我不仅仅是在阅读一个故事,更是在与书中人物进行一场心灵的对话。书中的一些情节,虽然看似平淡,却充满了情感的力量,能够在不经意间触动人心最柔软的部分。我常常在阅读的过程中,不自觉地被那些细腻的情感描写所打动,甚至会流下眼泪。作者的叙事节奏也掌握得很好,不会让你感到枯燥乏味,也不会让你觉得太过急促。他在关键的节点上,总能适时地抛出一些悬念,让你忍不住想要继续读下去,去揭开层层迷雾。而且,作者对环境的描写也十分出色,无论是繁华都市的霓虹闪烁,还是小镇角落的宁静安详,都描绘得栩栩如生,让你仿佛身临其境。这本书给我带来的,不仅仅是故事本身,更是一种对人性的理解,一种对生活的感悟,让我更加珍惜当下,也更加审慎地对待自己的人生选择。
评分初读《浮华世界》,就被其书名所散发的淡淡的疏离感和某种历史的厚重感所吸引。它不是那种一眼就能看穿的通俗小说,而是需要读者在字里行间慢慢品味,去体会那些隐藏在表层之下的深刻寓意。作者的叙事方式非常独特,他善于用一种近乎白描的笔触,将人物的内心世界和情感纠葛描绘得淋漓尽致。我尤其欣赏作者对细节的刻画,无论是某个角色对一件旧物的抚摸,还是窗外掠过的某种鸟儿的鸣叫,都充满了画面感,让你仿佛置身于那个时代,能够感受到空气中的温度,听到背景中传来的模糊人声。人物的塑造也十分成功,他们不是脸谱化的角色,而是有着自己复杂情感和矛盾心理的鲜活个体。我常常在阅读的过程中,不自觉地去代入角色,去思考他们为什么会做出那样的选择,去理解他们内心的挣扎。作者的语言风格也十分考究,时而带着一种诗意的抒情,时而又回归到朴实无华的叙述,这种在不同语境下的切换,让文字本身就充满了生命力。这本书没有给我提供一个明确的答案,关于如何面对浮华,如何过好自己的人生。但它却提供了一个视角,一个观察和思考的框架,让我在合上书本后,依然久久不能平静。
评分读了,忘了。从来没有一本书忘记得如此彻底。
评分读了,忘了。从来没有一本书忘记得如此彻底。
评分读了,忘了。从来没有一本书忘记得如此彻底。
评分沒看完
评分沒看完
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