Hantá rescues books from the jaws of his compacting press and carries them home. Hrabal, whom Milan Kundera calls “our very best writer today,” celebrates the power and the indestructibility of the written word. Translated by Michael Henry Heim.
Born in Brno-Židenice, Moravia, he lived briefly in Polná, but was raised in the Nymburk brewery as the manager's stepson.
Hrabal received a Law degree from Prague's Charles University, and lived in the city from the late 1940s on.
He worked as a manual laborer alongside Vladimír Boudník in the Kladno ironworks in the 1950s, an experience which inspired the "hyper-realist" texts he was writing at the time.
His best known novels were Closely Watched Trains (1965) and I Served the King of England. In 1965 he bought a cottage in Kersko, which he used to visit till the end of his life, and where he kept cats ("kočenky").
He was a great storyteller; his popular pub was At the Golden Tiger (U zlatého tygra) on Husova Street in Prague, where he met the Czech President Václav Havel, the American President Bill Clinton and the then-US ambassador to the UN Madeleine Albright on January 11th, 1994.
Several of his works were not published in Czechoslovakia due to the objections of the authorities, including The Little Town Where Time Stood Still (Městečko, kde se zastavil čas) and I Served the King of England (Obsluhoval jsem anglického krále).
He died when he fell from a fifth floor hospital where he was apparently trying to feed pigeons. It was noted that Hrabal lived on the fifth floor of his apartment building and that suicides by leaping from a fifth-floor window were mentioned in several of his books.
He was buried in a family grave in the cemetery in Hradištko. In the same grave his mother "Maryška", step father "Francin", uncle "Pepin", wife "Pipsi" and brother "Slávek" were buried.
He wrote with an expressive, highly visual style, often using long sentences; in fact his work Dancing Lessons for the Advanced in Age (1964) (Taneční hodiny pro starší a pokročilé) is made up of just one sentence. Many of Hrabal's characters are portrayed as "wise fools" - simpletons with occasional or inadvertent profound thoughts - who are also given to coarse humour, lewdness, and a determination to survive and enjoy oneself despite harsh circumstances. Political quandaries and their concomitant moral ambiguities are also a recurrent theme.
Along with Jaroslav Hašek, Karel Čapek and Milan Kundera - who were also imaginative and amusing satirists - he is considered one of the greatest Czech writers of the 20th century. His works have been translated into 27 languages.
最起码,没有发明比人的语言牛的东西。 从人格的形成上看,主人公从废纸中汲取的文字营养和今天从互联网上看到的营养似乎也没有什么区别。似乎他老人家这种学习方式比我们今天的学校教育在最基础的方面还要先进很多。
评分「三十五年了,我置身在廢紙堆中,這是我的Love story」 這是本書的主角,在惡劣的地下室內用壓力機為最污穢的廢紙打包再造,並從中透過檢拾被遺棄的經典名著而無意中學得淵博知識的老工人漢嘉,在通篇獨白中,開首的第一句。 單單這句已叫我神為之奪:絕望和深情,兩種激烈...
评分 评分 评分天道不仁,以万物为刍狗 汉嘉想:“如果我会写作,我要写一本论及人的最大幸福和最大不幸的书。”对一个爱书人来说,最幸福的是什么?最不幸的又是什么?最幸福的无非就是日日与书相伴,享受坐拥书山的快感,这也是打包工汉嘉执意选择这份工作的初衷,“三十五年了,我置身在...
「ILONKA. Yes, that was her name」读完这最后一句刚好等的电车就来了。说不出什么感觉,大概是一种混着心酸的欣慰,毕竟小说第一句就说了「it's my love story」不难看出赫拉巴尔很喜欢加缪,嗯,我也很喜欢。
评分一本爱书人的书,如诗歌一样优美。我想象着在布拉格红顶房子某处地下室,三十五年如一日独自一人的枯燥,却有耶稣、老子显灵,吉卜赛女孩、康德的Metaphysics of Morals 和黑格尔、尼采、伦勃朗、梵高(的复制品)伴随,一摞摞的废纸消失也就仿佛没那么残忍。“I am alone but not lonely”, 因为有书陪伴。爱看书,有时是对现实的逃避,但更多是寄希望与我们的生活也会因为书发生更好地变化吧。不过作者其实心中早就如那希绪弗斯一样了吧,虽然只提了两次加缪。
评分欲重译。
评分「ILONKA. Yes, that was her name」读完这最后一句刚好等的电车就来了。说不出什么感觉,大概是一种混着心酸的欣慰,毕竟小说第一句就说了「it's my love story」不难看出赫拉巴尔很喜欢加缪,嗯,我也很喜欢。
评分讀過中文版之後,又買了英文版來讀,那種安靜到聽得見所有的聲音和喧囂中只覺周遭死寂一片的反差,好希望不懂,然而,怎會不懂?
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有