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Shiprock with Storm

Laura Gilpin

nitrate negative, 1931

Bequest of Laura Gilpin

Gallery · Bibliography · Essay

Bibliography

Laura Gilpin

Aspects of American Photography 1976. St. Louis: University of Missouri-Saint Louis, 1976.

The Early Work of Laura Gilpin, 1917-1932. The Archive, no. 13. Tucson: Center for Creative Photography, University of Arizona, 1981.

Erwin, Kathleen A. (comp.). Pictorialism into Modernism: The Clarence H. White School of Photography/An Annotated Checklist. [Detroit?] : The Coville Photographic Art Foundation, 1996.

Garner, Gretchen. Reclaiming Paradise - American Women Photograph the Land. Duluth, MN: University of Minnesota Press, 1987.

Laura Gilpin Retrospective, 1910-1974. Santa Fe: Museum of New Mexico, 1974.

Gilpin, Laura. The Enduring Navaho. Austin: University of Texas, 1968.

Gilpin, Laura. The Rio Grande: River of Destiny. New York: Duell, Sloan and Pearce, 1949.

Gilpin, Laura. The Pueblos: A Camera Chronicle. New York: Hastings, 1942.

Palmquist, Peter E.. "Women Photographers and the American Indian," in An Idaho Photographer ln Focus. (Pocatello, Idaho: Idaho State University, 1993), pp. 121-149.

Palmquist, Peter E. (editor). Camera Fiends & Kodak Girls: Writings by and About Women Photographers 1840-1930. New York: Midmarch Arts Press, 1989.

Sandweiss, Martha A. Laura Gilpin: An Enduring Grace. Fort Worth: Amon Carter Museum, 1986.

出版者:The Amon Carter Museum, Fort Worth, Texas

作者:Photographs by Laura Gilpin.

出品人:

页数:336 pp

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出版时间:1986

价格:$95.00

装帧:9¾x12½ Description: Cloth. Folio, 339 pp., 126 plates. Beautifully printed book.

isbn号码:9780883600771

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Now out-of-print, this is a stunning tribute to the life of Laura Gilpin (1891-1979), one of the preëminent chroniclers of life in the American Southwest. Designed by Eleanor Caponigro with tri-tone reproductions, this retrospective monograph is the first major study of Gilpin's life and work. When published, Martha A. Sandweiss was the curator of the Amon Carter Museum in Fort Worth, which houses the Gilpin archives. She is currently professor of American studies and history at Amherst College. The publication of this book coincided with a major exhibition in 1986. Signed by Martha Sandweiss.