The Rise and Fall of the House of Medici

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Christopher Hibbert, MC, (born 1924) is an English writer and popular historian and biographer.

Born in Leicestershire in 1924, Hibbert was educated at Radley College, before going up to Oriel College at the University of Oxford. He served as an infantry officer in the London Irish Rifles during World War Two, was wounded twice and awarded the Military Cross in 1945.

Christopher Hibbert is a Fellow of the Royal Society of Literature. He is married with two sons and a daughter and lives in Henley-on-Thames.

出版者:Penguin
作者:Christopher Hibbert
出品人:
页数:368
译者:
出版时间:1979-9-27
价格:GBP 12.99
装帧:Paperback
isbn号码:9780140050905
丛书系列:
图书标签:
  • 历史 
  • medici 
  • history 
  • 文艺复兴 
  • 意大利 
  • renaissance 
  • 艺术 
  • art 
  •  
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The Rise and Fall of the House of Medici is the achievement of a polished historian who is blessed with an unusual gift for pleasing narrative. Divided into four parts, none of which seems overcrowded in spite of their variety of characters and events, the book is beautifully balanced and proportioned.

This edition is made more enjoyable a read, simply by its artistic binding and physical appearance. It is specially published by the Folio Society London, which was founded in 1947, with the single intention of producing 'editions of the world's great literature in a format worthy of the contents, at a price within the reach of everyman.'

The book is typeset at The Folio Society in Centaur with Arabesque ornaments, and printed on Ibis Wove paper at St. Edmundsbury Press, Bury St Edmunds. It is bound by Hunter & Foulis, Edinburgh, in full Jacquard cloth woven by Van Heek-Scholco, Holland.

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美第奇家族统治佛罗伦萨300年,从最初的四代银行业,两任教皇,佛罗伦萨大公,逐渐衰败。其银行业的衰败与意大利各共和国的衰败同步,与法国西班牙的崛起同步,其最后几代人名字有明显的西班牙特点。美第奇家族对文艺复兴的佛罗伦萨支持很大,本书更多的纪录了佛罗伦萨的艺术家...  

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美第奇家族统治佛罗伦萨300年,从最初的四代银行业,两任教皇,佛罗伦萨大公,逐渐衰败。其银行业的衰败与意大利各共和国的衰败同步,与法国西班牙的崛起同步,其最后几代人名字有明显的西班牙特点。美第奇家族对文艺复兴的佛罗伦萨支持很大,本书更多的纪录了佛罗伦萨的艺术家...  

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后半段基本是围观几个荒唐的胖子,因为姓Medici,而成了留名历史的荒唐的胖子。这时候再回想前半段,觉得1400年人类的运气好得不可思议,以及不禁质疑我们了解的美术史:Medici家的基因,明显是胖子啊,画像里的都是谁。。。

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后半段基本是围观几个荒唐的胖子,因为姓Medici,而成了留名历史的荒唐的胖子。这时候再回想前半段,觉得1400年人类的运气好得不可思议,以及不禁质疑我们了解的美术史:Medici家的基因,明显是胖子啊,画像里的都是谁。。。

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后半段基本是围观几个荒唐的胖子,因为姓Medici,而成了留名历史的荒唐的胖子。这时候再回想前半段,觉得1400年人类的运气好得不可思议,以及不禁质疑我们了解的美术史:Medici家的基因,明显是胖子啊,画像里的都是谁。。。

评分

后半段基本是围观几个荒唐的胖子,因为姓Medici,而成了留名历史的荒唐的胖子。这时候再回想前半段,觉得1400年人类的运气好得不可思议,以及不禁质疑我们了解的美术史:Medici家的基因,明显是胖子啊,画像里的都是谁。。。

评分

后半段基本是围观几个荒唐的胖子,因为姓Medici,而成了留名历史的荒唐的胖子。这时候再回想前半段,觉得1400年人类的运气好得不可思议,以及不禁质疑我们了解的美术史:Medici家的基因,明显是胖子啊,画像里的都是谁。。。

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