Dubbed the "poet of Prague," Josef Sudek was one of the most important and celebrated of Czech photographers. Sudek produced his best work during his middle-aged years, having grown up and out of the rules of Modernism and into a style of his own. Whereas his photographs from the 1930s are mainly a reflection of the external world, by the 1940s he was returning to himself, finding his own unique creative path. It was during this period that he made his most famous photograph, a view of the world seen through his studio window, the window ledge doubling as a stage for still life objects--a setup which he repeated to great effect. Not even the pressures of WWII and the difficult postwar years, including the demands of socialist realism in the arts, interrupted the continuity of his oeuvre. Edited by Anna Farova. Paperback, 6 x 7 in./154 pgs / 0 color 0 BW80 duotone 0 ~ Item D20076
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在爱尔兰作家班维尔的书里读到：在捷克社会主义时期，班维尔曾去往布拉格，帮助一位受监视的布拉格教授走私一些艺术品到美国，使教授的儿子在美国完成学业。这批艺术品并不是油画，而是二十张苏迪克用接触印相技术制作的照片。约瑟夫·苏迪克，这位出生于十九世纪末，十五岁便在战争中失去一只胳膊、一直生活在波西米亚地区的摄影师，经历了二十世纪捷克几乎所有的社会变革（奥匈帝国的覆灭，两次世界大战、1968年苏联入侵……），并用照片记录了二十世纪的布拉格，这些照片蒙着一层忧郁的雾气（本雅明或许会称之为“灵晕”），极具普鲁斯特风格，最终在一切过去以后，成了这座城市的幻梦与象征。
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