美国著名文化批评家、乐评人格雷尔•马库斯（Greil Marcus），著有《祸不单行》、《死者猫王》、《唇迹》、《神秘列车》等畅销不衰的音乐文化作品，专栏文章见于美国众多报刊杂志，如《纽约客》、《纽约时代》等。

Previously published as Invisible Republic and already considered a classic of modern American cultural criticism , The Old, Weird America is Greil Marcus's widely acclaimed book on the secret music (the so-called "Basement Tapes") made by Bob Dylan and the Band while in seclusion in Woodstock, New York, in 1967--a folksy yet funky, furious yet hilarious music that remains as seductive and baffling today as it was more than thirty years ago.

As Mark Sinker observed in The Wire : "Marcus's contention is that there can be found in American folk a community as deep, as electric, as perverse, and as conflicted as all America, and that the songs Dylan recorded out of the public eye, in a basement in Woodstock, are where that community as a whole gets to speak." But the country mapped out in this book, as Bruce Shapiro wrote in The Nation , "is not Woody Guthrie's land for made for you and me . . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dyaln's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly ) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker ) throughout. This new edition of The Old, Weird America includes an updated discography.