Book Description
What does it mean to be male in the twenty-first century? What does the concept of masculinity even mean in the wake of four decades of modern feminism? What makes a man a man today and a woman a woman? Are those distinctions even real anymore?
In this groundbreaking collection, Michael Datcher, Michael Moore, Anthony Swofford, Ruth Bettelheim, and a whole host of the world's most influential authors address these questions and many others. Through diverse themes that touch all of our lives — including sex, grief, power, money, family, privilege, violence, marriage, and work — these accomplished contributors lend their unique perspectives as they share their thoughts, experiences, and stories on forging new men and defining masculinity in a constantly changing world.
Rebecca Walker's feminist anthology, To Be Real, published nearly a decade ago, is a standard text in women's studies courses across the country. Considered one of the defining texts of contemporary feminism, To Be Real successfully bridged chasms between generations and ideologies. Similarly revolutionary and challenging in scope, What Makes a Man will be the first book to articulate and define the contours and concerns of a new generation of men.
From Booklist
Walker, author of the memoir Black, White, and Jewish (2000), has put together a timely and profound anthology. One wonders what changes could occur in our society if such texts were read and openly and sensitively discussed among boys and girls who are on the verge of entering the limiting spaces we call "manhood" and "womanhood." Walker's introductory essay offers poignant and insightful observations about our reactions as parents, children, and peers to the process of becoming a "man." Other striking pieces include a mother's questions about her three-year-old son's insistence that he's a girl; a man's reflections on his childhood and the experiences, role models, and expectations that shaped him; a privileged young black man's life of trying to fit in while remaining true to his belief in peace over violence; and a transsexual's search for self beyond stereotype. Walker has done society at large a great service by bringing forth these voices, these views. Now if only society will listen.
Janet St. John
From Publishers Weekly
In this literate essay collection, Walker (Black, White and Jewish) brings together male and female writers to ponder the male figure in its various poses: ill, robust, young, aged, confident, emotionally spent. The result is a book that portrays masculinity as a fluid mosaic, giving added resonance to contributor Caitríona Reed’s claim that "the Navajo have at least forty-nine gender designations." Elsewhere humor writer Bruce Stockler, in "No Means No," uses agile diction to portray the frenetic schedule and social stigma attached to being a stay-at-home dad—for four children, including triplets. And Meri Nana-Ama Danquah, in an essay that uses narrative twists to surprise readers with thoughtful analysis, ambivalently describes Ghana, a country where men link pinkies while chatting in bars because Ghanaian society accepts the display of physical affection between male friends. Almost half of the writers are African American (two others are gay men), and a recurring theme involves the shedding of machismo associated with that culture. Most of the essays are well crafted—an exception being Michael Moore’s hollow rant "The End of Men"—and a number of them chronicle a personal transformation from a limited view of masculinity to one imbued with nuance and so-called femininity. These awakenings are sometimes cloying and may make readers yearn for a defense of the red-blooded man—which they’ll glimpse in the excerpt from Anthony Swofford’s acclaimed Gulf War memoir Jarhead. But overall the anecdotes and insights will keep readers engaged, even if they cast only occasional light on an imagined future.
About Author
Rebecca Walker was educated at Yale University, and her work has appeared in numerous anthologies and publications, including Harper's, the Utne Reader, Vibe, and Spin. She has hosted television forums and produced segments for national and public television, and is a founder of Third Wave Foundation, the only national activist philanthropic organization for young women between the ages of fifteen and thirty. Walker has lived most recently in New York City and now resides in northern California.
Book Dimension
Height (mm) 199 Width (mm) 146
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这本书的名字真是直击人心啊,《众说纷纭话男人》,光是这个标题就充满了探讨的欲望和那种复杂交织的感觉。我最近读完之后,最大的感受就是,它成功地将那些我们平时在生活中遇到、但又总是羞于深入剖析的男性议题,用一种极其细腻和多维度的视角展现了出来。作者显然是花了大量时间去观察和体察不同社会阶层、不同年龄段的男性,他们是如何面对现代社会赋予他们的期望、压力以及内在的矛盾的。我特别欣赏书中对于“男性气质”这一概念的解构,它没有简单地给出一个非黑即白的定义,而是像剥洋葱一样,一层一层地揭示出在传统观念与时代进步的拉扯下,当代男性是如何挣扎求存的。书中对职场男性在“成功学”裹挟下的焦虑描摹得入木三分,那种身不由己、必须扮演“顶梁柱”角色的无力感,让很多读到这里的男性读者可能会产生强烈的共鸣,甚至会不自觉地停下来,反思自己的人生路径。而对于那些试图打破传统性别刻板印象,追求情感表达的年轻一代男性,书中的记录同样展现了他们所面临的来自家庭和社会的隐性阻力。这种全景式的描绘,使得这本书不仅仅是一部关于男性的“指南”或者“批判”,更像是一面巨大的镜子,映照出整个社会结构对个体灵魂的塑造与规训。
评分这本书的文字功底绝对值得称赞,它拥有一种独特的韵律感和节奏感,读起来不像在阅读一本严肃的社会学著作,更像是与一位见多识广、洞察人性的智者进行一场深夜的长谈。作者的叙事跳跃性处理得非常高妙,可能前一页还在细致描绘一个都市白领在精致的公寓里如何为自己的“不合群”而感到内疚,下一页就笔锋一转,深入到某个偏远地区男性在家庭责任面前表现出的“坚韧”,而这种坚韧背后隐藏的巨大情感匮乏。这种叙事上的“张弛有度”,使得原本可能显得压抑的主题变得富有张力。我发现自己经常会因为某个特定的句子而停下来,反复品味那种精准的概括力。比如对“现代男性‘情感赤字’”的描述,寥寥数语就勾勒出了一个时代的集体隐疾。这本书的价值不仅在于它提供了信息,更在于它提供了一种理解的“方式”——一种更具同理心和更少评判性的理解方式,这在如今这个充斥着快速审判和极端观点的时代,显得尤为珍贵。
评分坦白讲,我对这类社会观察类的书籍通常抱持着一种审慎的态度,生怕它落入肤浅的猎奇或标签化的窠臼。然而,《众说纷纭话男人》着实超越了我的预期。它最成功的一点,在于其非单一视角的运用。它不满足于只谈论成功人士的烦恼,也不囿于聚焦于边缘群体的困境,而是构建了一个立体交叉的网络。比如,书中对“技术宅”男性在社交情境中的微妙退缩,与对“蓝领”男性在经济结构变迁中的身份焦虑的对比描写,展现了作者极强的跨界观察能力。这种对比并非为了制造对立,而是为了揭示核心的共通点——即社会对“有效”男性的定义正在变得越来越狭窄和苛刻。读到这里,我忍不住开始思考,我们社会是否正在无意中制造出大量“无效”的男性,而这些男性个体又该如何重塑自我价值?这种思考的深度和广度,是这本书给我带来的最大收获。它像一个巧妙的棱镜,折射出光怪陆离的社会现实,让人久久不能释怀。
评分我必须承认,在阅读这本书的过程中,我经历了几次情绪上的起伏,时而感到豁然开朗,时而又被某些描述重重击中,甚至一度需要放下书本,去消化那些复杂的情感信息。这本书没有试图提供一个万能的“男性行为修正手册”,它更像是一部“男性心理的田野调查报告”。它最令人钦佩的是那种近乎残忍的诚实——它不美化,也不过度贬低,而是直视那些在转型期男性身上留下的伤痕与印记。特别是书中对“成功标准溢出”现象的探讨,即男性不仅要在物质上成功,还要在育儿、家庭参与、个人健康管理等方面都达到近乎完美的标准,这种全方位的苛刻要求,极大地压缩了他们自我宽恕的空间。阅读完后,我感到的不是沉重,而是一种被理解的释然,仿佛社会终于有人开始认真倾听那些被隐藏在“强大”外壳下的微弱呼喊。这本书无疑为我们提供了一个更成熟、更深入的讨论平台,去重新定义什么是一个“好”的男性,以及我们社会应该如何更好地接纳和支持他们。
评分翻开这本书,感觉就像是走进了一个巨大的男性交响乐团的后台,那里没有舞台上的光鲜亮丽,只有卸下伪装后的真实声响和情绪。这本书最让我震撼的是它对“沉默的语言”的捕捉。很多时候,我们通过男性的行为、他们的肢体语言、他们回避的眼神来解读他们,而作者却似乎掌握了某种解读密码,能将那些从未被说出口的重负精准地翻译出来。举例来说,书中对父辈男性在面对情感创伤时采取的“情感硬化”策略的分析,简直是教科书级别的洞察。这种“我没事”背后的巨大空洞,以及这种空洞如何代际传递,影响着下一代的亲密关系模式,被作者探讨得丝丝入扣。我个人觉得,对于女性读者而言,这本书提供了理解伴侣、父辈、甚至自己内心深处男性形象的绝佳窗口,它打破了许多基于刻板印象的预设,让我们看到“男人”这个标签下,有多少不为人知的个体挣扎。它的叙事风格非常流畅,没有那种生硬的学术腔调,而是带着一种人文关怀的温度,让人读起来非常舒服,即使是面对沉重的话题,也感觉被温柔地引导着去思考,而不是被强迫接受某个结论。
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