Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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James Webster 作者

Cambridge University Press

譯者

2004-11-11 出版日期

424 頁數

USD 94.99 價格

Paperback

叢書系列

9780521612012 圖書編碼

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Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書著者簡介

Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Haydn's 'Farewell' Symphony and the Idea of Classical Style 在線電子書圖書描述

This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal.

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