Farshid Moussavi is Professor in Practice in the Department of Architecture, Harvard University Graduate School of Design. Her London-based firm, Foreign Office Architects (FOA), is recognized as one of the most creative design firms in the world, deftly integrating architecture, urban design, and landscape architecture in their projects. They have produced numerous critically-acclaimed and award-winning international projects, most notably the Yokohama Ferry Terminal in Japan. Prior to establishing Foreign Office Architects (with Alejandro Zaera Polo) in London in 1992, she worked with the Renzo Piano Building Workshop in Genoa and the Office for Metropolitan Architecture in Rotterdam. Michael Kubo is Teaching Associate in Architecture at Harvard University Graduate School of Design and the US Director of ACTAR. He graduated with an M.Arch from the Harvard Graduate School of Design, and with a B.A. in Architecture from the University of Massachusetts-Amherst. With ACTAR, he is the editor of Desert America: Territory of Paradox (2006), Verb Conditioning (2005), Seattle Public Library (2005), Verb Connection and Verb Matters (2004), Phylogenesis: FOA's Ark (2003), and The Yokohama Project (2002). He previously collaborated with Rem Koolhaas and OMA / AMO as Associate Editor for the Harvard Guide to Shopping (2001), Great Leap Forward (2001), and Mutations (2000).
Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects. This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time.
做case study时扫描了部分跟自己课题有关的 但也是大半本了 有兴趣的豆油我索取下载地址。。。 做好事居然还要凑字数 做好事居然还要凑字数 做好事居然还要凑字数 做好事居然还要凑字数 做好事居然还要凑字数 做好事居然还要凑字数
評分http://item.taobao.com/item.htm?spm=686.1000925.1000774.5&id=7137117696 THE FUNCTION OF ORNAMENT
評分当时一激动就买了。图画的干净,应该是找人重新绘制过的。印刷精美。就学术类书籍来说,略现肤浅了点。书中,列举了流行项目的一些表皮构造图解。试图在表皮的视觉效果之外,深究其功能性。
評分当时一激动就买了。图画的干净,应该是找人重新绘制过的。印刷精美。就学术类书籍来说,略现肤浅了点。书中,列举了流行项目的一些表皮构造图解。试图在表皮的视觉效果之外,深究其功能性。
評分当时一激动就买了。图画的干净,应该是找人重新绘制过的。印刷精美。就学术类书籍来说,略现肤浅了点。书中,列举了流行项目的一些表皮构造图解。试图在表皮的视觉效果之外,深究其功能性。
顛覆+inspiring,現代建築材料和形式的重新定義,最近對這種think beyond的完全是腦殘粉。好想把Loos老頭子拽齣來看啊
评分全書介紹的都是建築的外立麵,綫條簡潔而乾淨
评分一本相對來講很有體係的將建築錶皮進行分類的書,試圖在裝飾審美之上深層探究錶皮的功能意義
评分great great drawings illustrating facade and structure relations. 你值得擁有
评分建築內外全都咬在一起的“皮”“肉”不可分。為作品集提供瞭詳實的參考。
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