Book Description
In conjunction with the New York Public Library, Doubleday is proud to introduce a very special collector's series of literary masterpieces. Lavishly illustrated with rare archival material from the library's extensive resources, including the renowned Berg collection, these editions will bring the classics to life for a new generation of readers. In addition to original artwork, each volume contains a fascinating selection of unique materials such as handwritten diaries, letters, manuscripts, and notebooks. Simply put, this series presents the work of our most beloved authors in what may well be their most beautiful editions, perfect to own or to give. Published on the occasion of Doubleday's 100th birthday, the New York Public Library Collector's Editions are sure to become an essential part of the modern book lover's private library.
Our edition of Madame Bovary, which Vladimir Nabokov called "one of the most perfect pieces of poetical fiction known", features etchings from a rare 1905 French edition and a sampling of Nabokov's handwritten commentary on Flaubert's work. These rare materials from the archives of the New York Public Library will make our edition stand out from all other available versions.
More About the Author
Charlotte Bronte was born at Thornton, Yorkshire, on April 21, 1816. Her father, Patrick Bronte, became curate for life of the moorland parish of Haworth, Yorkshire, in 1820, and her mother, Maria Bronte, died the following year, leaving behind five daughters and a son who were cared for in the parsonage by their aunt, Elizabeth Branwell. The eldest daughters, Maria and Elizabeth, died in 1825 from tuberculosis contracted at the religious boarding school to which they (along with Charlotte and her younger sister Emily) had been sent. (All the Bronte children ultimately suffered from lung disease.)
Raised at home thereafter, Charlotte, Emily, their youngest sister, Anne, and brother, Branwell, lived in a fantasy world of their own making, drawing on their voracious reading of Byron, Scott, Shakespeare, The Arabian Nights, and gothic fiction, and writing elaborate poetic and dramatic cycles involving the histories of imaginary countries. Charlotte's early writings revolved around the kingdom of Angria, about which she wrote melodramatic tales of passion and revenge. She spent a year studying at Miss Wooler's school in Roe Head (later relocated to Dewsbury Moor), and went back there to teach from 1835 to 1838; subsequently she worked as a governess.
With Emily, Charlotte traveled in 1842 to study languages at a boarding school in Brussels; her close emotional attachment to her instructor, M. Heger, a married man, would later figure in her fiction. Charlotte and Emily went home after a year because of their aunt's death; Charlotte subsequently returned to Brussels for a year of teaching, 1843 to 1844. A joint collection of poems by Charlotte, Emily, and Anne—published pseudonymously as Poems by Currer, Ellis and Acton Bell—appeared in 1846. The three sisters had in the meantime each written a novel, of which Emily's Wuthering Heights and Anne's Agnes Grey were accepted in 1847 for publication the following year. Charlotte's first novel, The Professor, based on her experiences in Brussels, was rejected by a series of publishers (it finally appeared posthumously in 1857).
Jane Eyre was published under Charlotte's pseudonym, Currer Bell, in 1847 and achieved commercial and critical success; it had gone through four editions by the time of Charlotte's death. Jane Eyre won high praises; William Makepeace Thackeray (who later became a friend) declared himself 'exceedingly moved and pleased,' and George Henry Lewes applauded its 'deep significant reality'; it was also criticized by some for the rebelliousness of its heroine and for what the Quarterly Review called 'coarseness of language and laxity of tone.'
During this period the Brontes underwent repeated tragedies. Branwell, despite his early promise, had been ravaged by the effects of drink and drugs, and when he found work as a tutor in the same household where Anne was a governess, his involvement with his employer's wife led to his dismissal; he died in September of 1848, followed three months later by Emily and the following year by Anne. Charlotte, the sole survivor, published two more novels, Shirley (1849), a novel of Yorkshire during the Napoleonic period, and Villette (1853), a further fictional exploration of her Brussels experiences. In 1850 she met the novelist Elizabeth Gaskell, with whom she formed a close friendship; Gaskell later wrote the classic biography of her friend, The Life of Charlotte Bronte (1857). Charlotte married her father's curate, Arthur Bell Nicholls, in 1854, and died on March 31, 1855.
Book Dimension :
length: (cm)15.6 width:(cm)10.8
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评分初次读简爱是中学时代的缩略本,中英对照,也好顺便练一下英文嘛。时隔十多年细细读原本,发现开始的情节还记得很清楚,到罗切斯特先生已婚事实发现后,几乎全忘了。 在很多人的印象里,简是坚强独立女性的代表,但时至今日的我读来却发现,她不过是一个骨子里自卑而至拼命自...
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评分说实话,一开始我对这类小说并没有太大的期待,总觉得会落入俗套。然而,当我真正沉浸其中时,才发现自己大错特错。这本书在叙事结构上非常巧妙,主线清晰,支线丰富,而且每一个故事都紧密地围绕着主人公展开,既有紧张刺激的情节,也有细腻感人的情感描写。我非常佩服作者塑造人物的功力,那些看似普通的人物,却都有着各自独特的个性和鲜明的特点,他们的出现,不仅丰富了故事的色彩,也为主人公的成长提供了不同的视角和影响。特别是那些象征着复杂情感和内心冲突的意象,被作者运用得淋漓尽致,为故事增添了一层深刻的哲学意味。我反复回味了一些段落,那些关于忠诚、关于背叛、关于宽恕的思考,让我久久不能平静。它不仅仅是一个引人入胜的故事,更是一部关于人性探索的深刻篇章。它迫使我去思考,在面对巨大的诱惑和艰难的选择时,我们该如何坚守内心的原则?又该如何理解和接纳那些并不完美的爱?这本书让我对“爱”有了全新的认识,不再仅仅是浪漫的幻想,而是更加深刻、更加成熟的连接。
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评分简爱因为信仰拒绝了Rochester的爱情,又因为爱情拒绝了Rivers的信仰。如果一定要妥协,宁可一无所有。可这又何尝不是对选择的一种逃避?
评分简爱因为信仰拒绝了Rochester的爱情,又因为爱情拒绝了Rivers的信仰。如果一定要妥协,宁可一无所有。可这又何尝不是对选择的一种逃避?
评分简爱因为信仰拒绝了Rochester的爱情,又因为爱情拒绝了Rivers的信仰。如果一定要妥协,宁可一无所有。可这又何尝不是对选择的一种逃避?
评分简爱因为信仰拒绝了Rochester的爱情,又因为爱情拒绝了Rivers的信仰。如果一定要妥协,宁可一无所有。可这又何尝不是对选择的一种逃避?
评分简爱因为信仰拒绝了Rochester的爱情,又因为爱情拒绝了Rivers的信仰。如果一定要妥协,宁可一无所有。可这又何尝不是对选择的一种逃避?
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