In this provocative, pioneering, and wholly engrossing cultural history, noted scholar Marilyn Yalom explores twenty-five thousand years of ideas, images, and perceptions of the female breast--in religion, psychology, politics, society, and the arts.
Through the centuries, the breast has been laden with hugely powerful and contradictory meanings. There is the "good breast" of reverence and life, the breast that nourishes infants and entire communities, as depicted in ancient idols, fifteenth-century Italian Madonnas, and representations of equality in the French Revolution. Then there is the "bad breast" of Ezekiel's wanton harlots, Shakespeare's Lady Macbeth, and the torpedo-breasted dominatrix, symbolizing enticement and aggression. Yalom examines these contradictions--and illuminates the implications behind them.
A fascinating, astute, and richly allusive journey from Paleolithic goddesses to modern day feminists, A History of the Breast is full of insight and surprises. As Yalom says, "I intend to make you think about women's breasts as you never have before." In this, she succeeds brilliantly.
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“非自然”乳房的身體史研究，提齣瞭幾個乳房文化闡釋變化的關鍵時期，亮點是加入瞭疾病的隱喻維度，病的內疚感以及邊緣化給身體帶來又一次的殘害。反情愛主義者阿爾忒彌斯的百乳形象滿諷刺的。
评分“非自然”乳房的身體史研究，提齣瞭幾個乳房文化闡釋變化的關鍵時期，亮點是加入瞭疾病的隱喻維度，病的內疚感以及邊緣化給身體帶來又一次的殘害。反情愛主義者阿爾忒彌斯的百乳形象滿諷刺的。
评分“非自然”乳房的身體史研究，提齣瞭幾個乳房文化闡釋變化的關鍵時期，亮點是加入瞭疾病的隱喻維度，病的內疚感以及邊緣化給身體帶來又一次的殘害。反情愛主義者阿爾忒彌斯的百乳形象滿諷刺的。
评分“非自然”乳房的身體史研究，提齣瞭幾個乳房文化闡釋變化的關鍵時期，亮點是加入瞭疾病的隱喻維度，病的內疚感以及邊緣化給身體帶來又一次的殘害。反情愛主義者阿爾忒彌斯的百乳形象滿諷刺的。
评分“非自然”乳房的身體史研究，提齣瞭幾個乳房文化闡釋變化的關鍵時期，亮點是加入瞭疾病的隱喻維度，病的內疚感以及邊緣化給身體帶來又一次的殘害。反情愛主義者阿爾忒彌斯的百乳形象滿諷刺的。
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