In this analysis of one major philosopher by another, Gilles Deleuze identifies three pivotal concepts - duration, memory, and élan vital - that are found throughout Bergson's writings and shows the relevance of Bergson's work to contemporary philosophical debates. He interprets and integrates these themes into a single philosophical program, arguing that Bergson's philosophical intentions are methodological. They are more than a polemic against the limitations of science and common sense, particularly in Bergson's elaboration of the explanatory powers of the notion of duration - thinking in terms of time rather than space.
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Cerebral matter made possible an interval between excitation and reaction... the whole of memory descends into this interval... a machine which should triumph over mechanism... Now... we find ourselves before another inter-cerebral interval... between the pressure of society and the resistance of intelligence... where creative emotion emanates.
评分德勒兹早期的每一部著作都为后来的千高原提供了一些模型和概念
评分对柏格森之存在论的一种非常激进的解读。在这里，柏格森以镜像隐喻所解释出的虚拟界获得了比现实界更其现实的存在；用德勒兹的话来说，虚拟界才是“存在自身”，而现实界仅仅是其被生命体的当下需要所过滤之后的产物。这种解读的问题在于预设了一个过于充满的虚拟界，从而消弭了生成过程的绝对创造性。
评分德勒兹早期的每一部著作都为后来的千高原提供了一些模型和概念
评分《柏格森主义》。读完这本书再重看《Cinema1&2》，基本上就没有太多理论障碍了吧~ Duraton→virture multiplicity; Memory→coexistence of all the degree of difference; The élan vital→actualization of virtuality.
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