Amateur hour has arrived, and the audience is running the show
In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.
Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.</p>
安德鲁·基恩,美国著名媒体人,频繁出现在各大媒体节目中,如,福克斯新闻、CNN国际、BBC晚间新闻等。他还为《伦敦独立报》写一个关于企业重组的专栏,同时也在为Dutch paper Volkskrant 和the Belgium daily De Standaard 两个纸媒撰写专栏。
Chapter I The Great Seduction An interesting book. Easy to read. The author started with his experience of attending a camping trip about Web 2.0 in Silicon Valley. As a pioneer of Internet , he dreamed of making people accessing Bob Dylan or Bach everywh...
评分在我们这样的世界,指望媒介和社会来帮助自己进行事实判断和价值判断,显得有些奢望了。 面对大规模的业余化,一个独立的人所应该掌握的人的人文社科类的知识: 1)媒介素养 2)逻辑学/批判性思维 3)哲学基础(丧失哲学基础的后果,就是人活着没有特定的立场,而只有飘忽的立...
评分曾经以为国人一向要么不做,要做就做过了。超级女声火了,全国都是选秀节目;刘谦火了,全国都是魔术;非诚勿扰火了,全国都是相亲节目。每次一定要把好好的东西,火到让人恶心。想不到国际友人也是如此,大多数人都是为利益所动的,免费的大餐人人都是要吃的,吃得火爆了...
评分 评分当年读《娱乐至死》,就备受震撼。在我们习以为常的媒介生活中,在我们每日接触的海量信息中,媒介居然扮演着如此负面的角色。 在大众媒体发展早期,从古腾堡开始,人类以为自己进入了彻底的、完美的信息世界,社会中的一切都变得透明,人类即将实现终极民主。人们甚至...
Although it is too critical and cynical, it actually raises good points.
评分简直要负分...标题/概念太吸引了,结果里面的论证完全...excuse me!?corelation和causation的逻辑呢!
评分Reek of elitism. Simple-minded, empty arguments; confused logic; twisted facts.
评分Fascinating views on why people working collectively online but quite a subject book with Author's propensity to give a lofty discourse on why web 2.0 has damaged our life.
评分so rude!!
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