WATER FOR ELEPHANTS

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出版者:Hodder & Stoughton
作者:Sara Gruen
出品人:
页数:335 页
译者:
出版时间:2006年10月
价格:95.0
装帧:平装
isbn号码:9780340938058
丛书系列:
图书标签:
  • 美国
  • 历史小说
  • 爱情
  • 马戏团
  • 大萧条
  • 动物
  • 悲剧
  • 成长
  • 冒险
  • 家庭
  • 20世纪
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具体描述

When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits - the Benzini Brothers Most Spectacular Show on Earth - a second-rate travelling circus struggling to survive during the Great Depression, making one-night stands in town after endless town. Jacob, a veterinary student who almost earned his degree, is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. "Water for Elephants" is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.

Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.

Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.

The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely.

                           --Valerie Ryan

With its spotlight on elephants, Gruen's romantic page-turner hinges on the human-animal bonds that drove her debut and its sequel (Riding Lessons and Flying Changes)—but without the mass appeal that horses hold. The novel, told in flashback by nonagenarian Jacob Jankowski, recounts the wild and wonderful period he spent with the Benzini Brothers Most Spectacular Show on Earth, a traveling circus he joined during the Great Depression. When 23-year-old Jankowski learns that his parents have been killed in a car crash, leaving him penniless, he drops out of Cornell veterinary school and parlays his expertise with animals into a job with the circus, where he cares for a menagerie of exotic creatures[...] He also falls in love with Marlena, one of the show's star performers—a romance complicated by Marlena's husband, the unbalanced, sadistic circus boss who beats both his wife and the animals Jankowski cares for. Despite her often clichéd prose and the predictability of the story's ending, Gruen skillfully humanizes the midgets, drunks, rubes and freaks who populate her book. (May 26)

Life is good for Jacob Jankowski. He's about to graduate from veterinary school and about to bed the girl of his dreams. Then his parents are killed in a car crash, leaving him in the middle of the Great Depression with no home, no family, and no career. Almost by accident, Jacob joins the circus. There he falls in love with the beautiful performer Marlena, who is married to the circus' psychotic animal trainer. He also meets the other love of his life, Rosie the elephant. This lushly romantic novel travels back in forth in time between Jacob's present day in a nursing home and his adventures in the surprisingly harsh world of 1930s circuses. The ending of both stories is a little too cheerful to be believed, but just like a circus, the magic of the story and the writing convince you to suspend your disbelief. The book is partially based on real circus stories and illustrated with historical circus photographs.

                             Marta Segal

length: (cm)19.7                 width:(cm)12.8

《沙海孤舟》 在浩瀚无垠的金色沙漠深处,隐藏着一个古老的传说,关于一座被遗忘的绿洲,以及守护着它的神秘部落。塔里克,一个年轻而桀骜不驯的猎人,从小听着关于“生命之泉”的故事长大。他的人生目标,便是找到那片能让枯萎的生命重焕生机的源头,为他饱受干旱之苦的族人带来希望。 故事始于一个严酷的旱季。水源日渐枯竭,族人们的脸上写满了绝望。老萨满预言,只有找到传说中的“沙之泪”,才能打破这无尽的诅咒。塔里克,这位部落中最勇猛的年轻人,肩负起这个重任。他告别了心爱的女孩,艾莉亚,一位同样坚韧而充满智慧的女子,踏上了凶险的旅程。艾莉亚是部落里少数能解读古老星象图的人,她为塔里克绘制了最简陋但却无比珍贵的地图,并给了他一个装有她亲手制作的护身符。 塔里克的旅途充满了未知的危险。他必须穿越曾经是繁荣城市,如今只剩下断壁残垣的“迷失之城”。这座城市被风沙侵蚀,空气中弥漫着死亡的气息,据说其中游荡着古老文明的幽魂,它们守护着被埋藏的秘密。在“迷失之城”的废墟中,塔里克遭遇了沙尘暴的袭击,几乎丧命。他学会了如何在极端的环境中生存,如何利用最有限的资源,如何辨别沙丘的纹理来躲避潜伏的危险。 更让他警惕的是,他还遇到了其他为了生存而变得残忍的部落。其中,一个名为“蝎巢”的游牧部落,以其残暴和掠夺闻名,他们觊觎一切有价值的东西,包括塔里克手中的水和可能的目标。在一次险象环生的遭遇中,塔里克被迫展现出他所有的战斗技巧和智慧,他利用地形和对沙漠生物习性的了解,成功地摆脱了“蝎巢”部落的追击,但他也因此受了伤,不得不更加小心翼翼。 在沙漠的某个角落,他遇到了一位孤独的智者,一个被族人放逐的占卜师。这位智者曾是“蝎巢”部落的叛徒,他了解这个部落的弱点,也知道通往绿洲的真正道路。他给了塔里克一些关于如何应对“蝎巢”部落首领——“毒牙”的忠告,以及一些关于辨别水源的古老知识。塔里克从这位智者那里学到了很多,包括如何利用沙漠中的特定植物来提取水分,如何在夜间利用星光来导航。 随着旅程的深入,塔里克发现他所寻找的“生命之泉”并非只是一个物理上的地点,它更像是一种精神上的象征。传说中的“沙之泪”更是一种凝聚了无数生命渴望和牺牲的能量。他在旅途中目睹了许多生命在残酷环境中挣扎求生,也看到了顽强的生命力如何在大漠中绽放。 最终,塔里克找到了传说中的绿洲。但令他震惊的是,绿洲并非如传说中那样生机勃勃,而是充满了一种奇异的、令人不安的宁静。在那里,他遇到了绿洲的守护者,一个古老而神秘的女子,她自称是“绿洲之心”。她告诉塔里克,绿洲并非真正的源头,而是一个能量汇聚点,真正的“生命之泉”隐藏在更深处,需要用纯洁的心灵才能找到。 “绿洲之心”也揭示了一个惊人的真相:他的族人之所以饱受干旱之苦,与“蝎巢”部落的掠夺和水源的滥用有着直接关系。“蝎巢”部落的“毒牙”一直在偷偷地改变河流的流向,将水分引向他们自己的领地,导致了其他地区的水源枯竭。 塔里克意识到,仅仅找到绿洲是不够的,他必须解决问题的根源。他决定返回,与“蝎巢”部落正面对抗,夺回被他们侵占的水源。在“绿洲之心”的帮助下,塔里克学会了如何引导绿洲中的自然力量,并将这些力量融入自己的战斗之中。 他回到了族人的营地,带来了绿洲的消息和新的希望。艾莉亚一直都在等待他,她相信他能够成功。塔里克与族人们分享了他的经历和计划,他们受到了鼓舞,愿意与他并肩作战。 故事的高潮发生在一场惊心动魄的战斗中。“蝎巢”部落的人马也追踪而至,试图阻止塔里克。塔里克利用他对地形的熟悉和族人们的配合,以及从“绿洲之心”那里获得的一些特殊能力,与“毒牙”及其手下展开了殊死搏斗。最终,塔里克凭借着过人的勇气和智慧,击败了“毒牙”,并成功地恢复了河流的正常流向。 当清澈的水流重新涌向族人的营地时,整个部落都欢呼雀跃。干渴的土地得到了滋养,枯萎的植物重新焕发了生机。塔里克不仅为他的族人带来了水,更带来了希望和尊严。他明白,真正的“生命之泉”并非隐藏在遥远的地方,而是存在于勇敢的心灵、团结的力量和对生命的尊重之中。 在经历了一系列磨难后,塔里克和艾莉亚的感情更加深厚。他们共同面对未来,致力于守护这片来之不易的绿色,并教育下一代如何与自然和谐共处,珍惜每一滴水,以及勇气和希望的真正含义。他们的故事,成为了沙漠中新的传说,激励着一代又一代的族人。

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这部作品初读时,便被它那股扑面而来的、带着尘土与汗水气息的马戏团生活深深吸引住了。作者对细节的捕捉简直到了令人咋舌的地步,无论是大象训练师眼中那份日复一日的坚韧与疲惫,还是那些流浪艺人之间微妙的权力斗争和难以言喻的默契,都描绘得淋漓尽致。我仿佛能闻到爆米花的甜腻和动物园的腥臊味混杂在一起的味道,脚下感受到的是木屑与泥土混合的粗粝感。更妙的是,书中关于人性深处的探寻,那种在边缘世界中寻找归属感与尊严的挣扎,触动了我内心最柔软的部分。主人公的每一次抉择,都像是在命运的岔路口徘徊,让人为他捏一把汗,又为他的勇气感到由衷的敬佩。尤其是对于那些在社会边缘默默无闻的生命(无论是人还是动物)的刻画,那种跨越物种的、无声的理解与陪伴,构建了一种既残酷又温暖的叙事基调。读到某些段落时,我甚至会停下来,细细回味那些精妙的比喻和排比,它们如同夏日午后的一阵凉风,清爽而又富有哲理,让人忍不住想要重读。

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这部作品的叙事视角,选择得极其巧妙,它像是一个多棱镜,从不同的侧面折射出同一个时代和同一群人的生活真相。我感受到的并非单一的“主角视角”,而是一种流动的、带有集体记忆色彩的观察。作者在处理人与自然(尤其是动物)的关系时,采取了一种近乎诗意的尊重,没有将动物简化为工具或符号,而是赋予了它们复杂的情感深度和独立的意志。这种处理方式,极大地提升了作品的层次感。从文学技法上来说,书中对象征手法的运用非常克制却又十分有力,那些反复出现的意象,比如旋转的秋千、被遗忘的道具,都带着强烈的宿命暗示。整本书读下来,留下的是一种复杂的心绪:既为故事中那些错失的爱恋和未能实现的梦想而惋惜,又为角色们在逆境中展现出的生命韧性而感到震撼。它迫使人去思考,在没有滤镜的真实世界里,我们究竟如何定义“奇迹”的发生。

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我必须承认,这本书最成功之处在于它创造了一个令人难以忘怀的“环境”。它不是一本关于宏大历史的叙事,而是一幅关于角落和边缘人物的精美油画。作者对光影的运用堪称一绝:马戏团帐篷里昏黄的灯光、清晨雾气弥漫的旷野、以及深夜里偶尔闪现的星光,都成为了情绪的载体。这种氛围的营造,使得即便是相对平淡的日常场景,也充满了潜藏的张力。书中关于“忠诚”的探讨,也让我深思。它不是那种高尚的、书本上的忠诚,而是那种在困苦中相互扶持、在背叛中艰难维系的、更接近本能的依恋。这种忠诚,往往伴随着巨大的痛苦和牺牲,却也是角色们唯一的救赎。阅读过程中,我的情绪被牵引得非常厉害,几乎是跟着主角一起经历了从希望到幻灭,再到重新找到微小光芒的过程,情感曲线跌宕起伏,极具代入感。

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这本书的文字风格,坦白说,初看之下有些“慢热”,但一旦沉浸进去,就会发现它的魅力如同陈年的威士忌,需要时间来品味。作者的句式结构变化多端,时而用短促有力的句子勾勒出紧张的瞬间,时而则用一连串修饰复杂的长句,描绘出广阔的风景或复杂的心绪。我尤其喜欢它如何处理人物的“内心独白”,那份独白是如此的诚实和脆弱,以至于让人感觉自己像是偷窥到了角色最私密的灵魂深处。故事中穿插的对于特定技艺——比如高空钢丝的平衡感、或者驯兽的精准节奏——的细致解剖,显示出作者在前期做了极其扎实的研究。这种专业的投入感,为虚构的故事增添了无可辩驳的真实性。每次读到关于某个角色做出牺牲的段落,那种沉重感和宿命感是压倒性的,它让人反思,在那样一个不容许错误的舞台上,生存本身就是一场巨大的豪赌。

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读完合上书本的那一刻,脑海中盘旋的不是情节的跌宕起伏,而是一种强烈的、关于“逝去美好”的怅惘。这本书的叙事节奏把握得极为高明,它并非一味地追求戏剧冲突,而是像一首悠长而略带忧伤的圆舞曲,时而轻快地旋转,时而沉重地停顿。我特别欣赏作者对时间流逝的描摹手法,那种从遥远的回忆中不断拉回到现实的叙事跳跃,让故事拥有了一种史诗般的厚重感。它不仅仅记录了一个时代马戏团的兴衰,更像是在探讨记忆如何塑造我们的当下。那些人物的对话,看似平淡无奇,实则暗藏机锋,充满了那个年代特有的保守与压抑,却又在不经意间流露出对自由的渴望。我反复思考了书中几处关于“欺骗与真相”的讨论,作者没有给出简单的答案,而是将复杂的伦理困境摆在了读者面前,迫使我们去审视自己对“真实生活”的定义。这本书的文学价值,或许就在于它成功地将一个相对小众的题材,提升到了探讨人类生存状态的哲学高度。

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我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!

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我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!

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我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!

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我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!

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我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!

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