When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits - the Benzini Brothers Most Spectacular Show on Earth - a second-rate travelling circus struggling to survive during the Great Depression, making one-night stands in town after endless town. Jacob, a veterinary student who almost earned his degree, is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. "Water for Elephants" is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.
Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.
Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.
The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely.
--Valerie Ryan
With its spotlight on elephants, Gruen's romantic page-turner hinges on the human-animal bonds that drove her debut and its sequel (Riding Lessons and Flying Changes)—but without the mass appeal that horses hold. The novel, told in flashback by nonagenarian Jacob Jankowski, recounts the wild and wonderful period he spent with the Benzini Brothers Most Spectacular Show on Earth, a traveling circus he joined during the Great Depression. When 23-year-old Jankowski learns that his parents have been killed in a car crash, leaving him penniless, he drops out of Cornell veterinary school and parlays his expertise with animals into a job with the circus, where he cares for a menagerie of exotic creatures[...] He also falls in love with Marlena, one of the show's star performers—a romance complicated by Marlena's husband, the unbalanced, sadistic circus boss who beats both his wife and the animals Jankowski cares for. Despite her often clichéd prose and the predictability of the story's ending, Gruen skillfully humanizes the midgets, drunks, rubes and freaks who populate her book. (May 26)
Life is good for Jacob Jankowski. He's about to graduate from veterinary school and about to bed the girl of his dreams. Then his parents are killed in a car crash, leaving him in the middle of the Great Depression with no home, no family, and no career. Almost by accident, Jacob joins the circus. There he falls in love with the beautiful performer Marlena, who is married to the circus' psychotic animal trainer. He also meets the other love of his life, Rosie the elephant. This lushly romantic novel travels back in forth in time between Jacob's present day in a nursing home and his adventures in the surprisingly harsh world of 1930s circuses. The ending of both stories is a little too cheerful to be believed, but just like a circus, the magic of the story and the writing convince you to suspend your disbelief. The book is partially based on real circus stories and illustrated with historical circus photographs.
Marta Segal
length: (cm)19.7 width:(cm)12.8
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这部作品初读时,便被它那股扑面而来的、带着尘土与汗水气息的马戏团生活深深吸引住了。作者对细节的捕捉简直到了令人咋舌的地步,无论是大象训练师眼中那份日复一日的坚韧与疲惫,还是那些流浪艺人之间微妙的权力斗争和难以言喻的默契,都描绘得淋漓尽致。我仿佛能闻到爆米花的甜腻和动物园的腥臊味混杂在一起的味道,脚下感受到的是木屑与泥土混合的粗粝感。更妙的是,书中关于人性深处的探寻,那种在边缘世界中寻找归属感与尊严的挣扎,触动了我内心最柔软的部分。主人公的每一次抉择,都像是在命运的岔路口徘徊,让人为他捏一把汗,又为他的勇气感到由衷的敬佩。尤其是对于那些在社会边缘默默无闻的生命(无论是人还是动物)的刻画,那种跨越物种的、无声的理解与陪伴,构建了一种既残酷又温暖的叙事基调。读到某些段落时,我甚至会停下来,细细回味那些精妙的比喻和排比,它们如同夏日午后的一阵凉风,清爽而又富有哲理,让人忍不住想要重读。
评分这部作品的叙事视角,选择得极其巧妙,它像是一个多棱镜,从不同的侧面折射出同一个时代和同一群人的生活真相。我感受到的并非单一的“主角视角”,而是一种流动的、带有集体记忆色彩的观察。作者在处理人与自然(尤其是动物)的关系时,采取了一种近乎诗意的尊重,没有将动物简化为工具或符号,而是赋予了它们复杂的情感深度和独立的意志。这种处理方式,极大地提升了作品的层次感。从文学技法上来说,书中对象征手法的运用非常克制却又十分有力,那些反复出现的意象,比如旋转的秋千、被遗忘的道具,都带着强烈的宿命暗示。整本书读下来,留下的是一种复杂的心绪:既为故事中那些错失的爱恋和未能实现的梦想而惋惜,又为角色们在逆境中展现出的生命韧性而感到震撼。它迫使人去思考,在没有滤镜的真实世界里,我们究竟如何定义“奇迹”的发生。
评分我必须承认,这本书最成功之处在于它创造了一个令人难以忘怀的“环境”。它不是一本关于宏大历史的叙事,而是一幅关于角落和边缘人物的精美油画。作者对光影的运用堪称一绝:马戏团帐篷里昏黄的灯光、清晨雾气弥漫的旷野、以及深夜里偶尔闪现的星光,都成为了情绪的载体。这种氛围的营造,使得即便是相对平淡的日常场景,也充满了潜藏的张力。书中关于“忠诚”的探讨,也让我深思。它不是那种高尚的、书本上的忠诚,而是那种在困苦中相互扶持、在背叛中艰难维系的、更接近本能的依恋。这种忠诚,往往伴随着巨大的痛苦和牺牲,却也是角色们唯一的救赎。阅读过程中,我的情绪被牵引得非常厉害,几乎是跟着主角一起经历了从希望到幻灭,再到重新找到微小光芒的过程,情感曲线跌宕起伏,极具代入感。
评分这本书的文字风格,坦白说,初看之下有些“慢热”,但一旦沉浸进去,就会发现它的魅力如同陈年的威士忌,需要时间来品味。作者的句式结构变化多端,时而用短促有力的句子勾勒出紧张的瞬间,时而则用一连串修饰复杂的长句,描绘出广阔的风景或复杂的心绪。我尤其喜欢它如何处理人物的“内心独白”,那份独白是如此的诚实和脆弱,以至于让人感觉自己像是偷窥到了角色最私密的灵魂深处。故事中穿插的对于特定技艺——比如高空钢丝的平衡感、或者驯兽的精准节奏——的细致解剖,显示出作者在前期做了极其扎实的研究。这种专业的投入感,为虚构的故事增添了无可辩驳的真实性。每次读到关于某个角色做出牺牲的段落,那种沉重感和宿命感是压倒性的,它让人反思,在那样一个不容许错误的舞台上,生存本身就是一场巨大的豪赌。
评分读完合上书本的那一刻,脑海中盘旋的不是情节的跌宕起伏,而是一种强烈的、关于“逝去美好”的怅惘。这本书的叙事节奏把握得极为高明,它并非一味地追求戏剧冲突,而是像一首悠长而略带忧伤的圆舞曲,时而轻快地旋转,时而沉重地停顿。我特别欣赏作者对时间流逝的描摹手法,那种从遥远的回忆中不断拉回到现实的叙事跳跃,让故事拥有了一种史诗般的厚重感。它不仅仅记录了一个时代马戏团的兴衰,更像是在探讨记忆如何塑造我们的当下。那些人物的对话,看似平淡无奇,实则暗藏机锋,充满了那个年代特有的保守与压抑,却又在不经意间流露出对自由的渴望。我反复思考了书中几处关于“欺骗与真相”的讨论,作者没有给出简单的答案,而是将复杂的伦理困境摆在了读者面前,迫使我们去审视自己对“真实生活”的定义。这本书的文学价值,或许就在于它成功地将一个相对小众的题材,提升到了探讨人类生存状态的哲学高度。
评分我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!
评分我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!
评分我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!
评分我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!
评分我最爱那头大象 其他写了什么乱七八糟的= =! ps 五方兄还要演男主。。。。用大象当主角拍不行吗!
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