Rob Sheffield is a contributing editor at Rolling Stone magazine. In addition to writing music reviews and profile stories, Sheffield also writes the Pop Life column in the Mixed Media section of the magazine. His work has also been featured in The Village Voice and Spin. A native of Boston, Sheffield attended Yale and the University of Virginia, and is six foot five.
His first book, Love is a Mix Tape: Life and Loss, One Song at a Time (an excerpt of which was featured in the January 2007 issue of GQ), was released by Random House in January 2007. It received starred reviews in Publisher's Weekly and Library Journal.
What Is love? Great minds have been grappling with this question throughout the ages, and in the modern era, they have come up with many different answers. According to Western philosopher Pat Benatar, love is a battlefield. Her paisan Frank Sinatra would add the corollary that love is a tender trap. Love hurts. Love stinks. Love bites, love bleeds, love is the drug. The troubadours of our times agree: They want to know what love is, and they want you to show them. But the answer is simple: Love is a mix tape.
In the 1990s, when “alternative” was suddenly mainstream, bands like Pearl Jam and Pavement, Nirvana and R.E.M.—bands that a year before would have been too weird for MTV- were MTV. It was the decade of Kurt Cobain and Shania Twain and Taylor Dayne, a time that ended all too soon. The boundaries of American culture were exploding, and music was leading the way.
It was also when a shy music geek named Rob Sheffield met a hell-raising Appalachian punk-rock girl named Renée, who was way too cool for him but fell in love with him anyway. He was tall. She was short. He was shy. She was a social butterfly. She was the only one who laughed at his jokes when they were so bad, and they were always bad. They had nothing in common except that they both loved music. Music brought them together and kept them together. And it was music that would help Rob through a sudden, unfathomable loss.
In Love Is a Mix Tape, Rob, now a writer for Rolling Stone, uses the songs on fifteen mix tapes to tell the story of his brief time with Renée. From Elvis to Missy Elliott, the Rolling Stones to Yo La Tengo, the songs on these tapes make up the soundtrack to their lives.
Rob Sheffield isn’t a musician, he’s a writer, and Love Is a Mix Tape isn’t a love song- but it might as well be. This is Rob’s tribute to music, to the decade that shaped him, but most of all to one unforgettable woman.
一本以音乐和记忆开始的书。似乎在所有的记忆载体中,没有比歌儿更为持久牢靠又难以捉摸的了。或许因为直接的情绪触动,或许因为随处的不期而遇,歌儿总是在不经意间打开往昔的闸门。当我们要躲开一段记忆和经历时,那些过去的歌谣会像甩不脱的负赘,纠缠不休。比如,“乡村歌...
评分 评分 评分一本以音乐和记忆开始的书。似乎在所有的记忆载体中,没有比歌儿更为持久牢靠又难以捉摸的了。或许因为直接的情绪触动,或许因为随处的不期而遇,歌儿总是在不经意间打开往昔的闸门。当我们要躲开一段记忆和经历时,那些过去的歌谣会像甩不脱的负赘,纠缠不休。比如,“乡村歌...
评分一本以音乐和记忆开始的书。似乎在所有的记忆载体中,没有比歌儿更为持久牢靠又难以捉摸的了。或许因为直接的情绪触动,或许因为随处的不期而遇,歌儿总是在不经意间打开往昔的闸门。当我们要躲开一段记忆和经历时,那些过去的歌谣会像甩不脱的负赘,纠缠不休。比如,“乡...
歌单的最早形式。Every mix tape tells a story. Put them together, and they add up to the story of a life.一辈子能找一个像自己一样热爱听rock'n'roll的人,难。摇滚和Renée两者都是组成了关于Rob的故事,缺一不可。Renée死后,Rob生不如死,而他再也没有机会与Renée一起听她最喜爱的PAVEMENT.直到有了iPod,大家都听mp3,Rob问,What is love?The answer is love is a mix tape.
评分最大的感触是mixtape比playlist承载感情和记忆的能力要高得太多了。作者亲切而真实的人生回忆录于我实在既不有趣也无意思,随机播放的对应歌单也很不优秀,还是及时止损,放弃了。
评分Love is a mix tape~ 最近原版读太多,已然收不住了~ 太精彩~
评分读起来真没感觉
评分给了pavement一个机会
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有