This is the first collection of critical essays devoted exclusively to Shakespeare's first published work, his long narrative poem Venus and Adonis, which established his reputation as the literary darling of London and the heir of Ovid. Particularly important is the book's coverage of the little-known presence of Venus and Adonis on stage.
A substantial introduction of 65 pagessurveys the history of criticism about the poem and its significance, and addresses such issues as the burdens of readership and the poem as a staged production. Following are 19 reprinted works from the 18th to late 20th centuries and seven original essays by leading scholars that examine the poem from a variety of theoretical and critical perspectives-Lacanian desire, semiotics and Elizabethan wardship, female readership, mythology, aesthetics and art history. An extensive chronological bibliography of scholarship, editions, and theatrical and literary reviews makes this volume indispensable.</P>
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(down的电子版读的，不知道是哪本。)在有那么个人人性泯灭的半年多时间里是极好的读物，venus的痴怨读之切如，但最后使人醒悟，所挥之不去的痛苦与不舍，不管伪装自我欺骗到何种程度，都只是lust的罪恶延伸。(此长诗当初出版颇受诟病，以现代人眼光看倒是无所。
评分诗无定论。如何理解Venus和Adonis直接影响对整首诗的理解。
评分诗无定论。如何理解Venus和Adonis直接影响对整首诗的理解。
评分(down的电子版读的，不知道是哪本。)在有那么个人人性泯灭的半年多时间里是极好的读物，venus的痴怨读之切如，但最后使人醒悟，所挥之不去的痛苦与不舍，不管伪装自我欺骗到何种程度，都只是lust的罪恶延伸。(此长诗当初出版颇受诟病，以现代人眼光看倒是无所。
评分(down的电子版读的，不知道是哪本。)在有那么个人人性泯灭的半年多时间里是极好的读物，venus的痴怨读之切如，但最后使人醒悟，所挥之不去的痛苦与不舍，不管伪装自我欺骗到何种程度，都只是lust的罪恶延伸。(此长诗当初出版颇受诟病，以现代人眼光看倒是无所。
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