Sentimental Fabulations, Contemporary Chinese Films 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Rey Chow 作者

Columbia University Press

译者

2007-3-27 出版日期

288 页数

USD 28.00 价格

Paperback

丛书系列

9780231133333 图书编码

Sentimental Fabulations, Contemporary Chinese Films 在线电子书图书标签: 电影周蕾海外中国研究文化研究中国电影电影研究 cultural-studies Film

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发表于2024-11-22

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Sentimental Fabulations, Contemporary Chinese Films 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Sentimental Fabulations, Contemporary Chinese Films 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Sentimental Fabulations, Contemporary Chinese Films 在线电子书用户评价

评分☆☆☆☆☆

继承穆尔维等人的理论、精神分析和海德格尔，电影课必读书目。

评分☆☆☆☆☆

周蕾我的女神。。

评分☆☆☆☆☆

读过春光乍泄的一章，援引拉康的他者理论和弗洛伊德的压抑说，依然存在理论超越文本的问题，理论功夫了得，文本分析却不是我想看到的社会学分析。

评分☆☆☆☆☆

回家の诱惑。很喜欢玩片名互换的游戏（我的父亲母亲和花样年华，甜蜜蜜和喜宴等），但只能冷笑，因为真的好无聊哦！在喜宴的解读中，周结合福柯“生命政治”概念，发展了patriarchal flexibility，认为Wei Wei的存在只是为了替高家绵延子嗣，而同性恋与否在Chinese tradition中着实不算问题——Simon其实就是传统家庭不会生养的儿媳，而不是儿子的同性爱人。这一解读比高父为同性恋更加能够说服我，说出了全球化过程里，中国传统和全球资本主义的共谋——进一步物化女性，将女性的子宫变成可以交易的商品。The world is still governed by patriarchal anxiety about reproductive prospects.

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有的分析比较牵强、片面，用玄妙的理论语言描述简单的现象——周蕾的一贯特点。无论读多少本，还是觉得她真不是我的菜。

Sentimental Fabulations, Contemporary Chinese Films 在线电子书著者简介

Sentimental Fabulations, Contemporary Chinese Films 在线电子书图书目录

Sentimental Fabulations, Contemporary Chinese Films 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Sentimental Fabulations, Contemporary Chinese Films 在线电子书图书描述

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

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