Remarkable for their precocity, these early works exhibit the qualities for which Mozart’s concertos are justly celebrated: keyboard mastery, experimentation with texture, and a natural sensitivity to form and balance. This convenient, inexpensive compilation features the Triple Concerto No. 7 in F (K. 242), Concerto No. 8 in C (K. 246), Concerto No. 9 in E-flat (K. 271), and the Double Concerto No. 10 in E-flat (K. 365). Reproduced from the authoritative Breitkopf & Härtel edition. New Introduction.
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